Over the past year or so, I’ve been downloading and reading free ebooks from a number of sources – partly because I have a weakness for free, partly because I want to find greats reads for you that you don’t have to shell out a penny for!
But sometimes “you get what you pay for”. Sometimes a book is free because we wouldn’t slog through it for any other reason.
Is that the rule? Are the reading-gems the exception? I’ve dug back through my review archives to figure out which books are worth reading (and worth paying for, even if I didn’t have to).
Note: All deals are listed as of this writing. Authors naturally have the prerogative to change how they charge for their works. By that same token, some books that I loved but couldn’t list because they didn’t qualify might become free again later 😉! Continue reading
(This post might be more interesting to the writers among us, but readers and buyers-of-books are also affected by the dynamics of this issue.)
Author’sGuild.org recently posted an article discussing a change in Amazon’s algorithms regarding who gets top billing in what is called the “buy box” of books – apparently the display at the top that lists all available formats and the relative prices. As you might know, a little farther down appear links to other retailers offering “used” or “new” copies of the books.
Currently, Amazon places itself in the prime “buy box” spot, as the first buy-option people see, but according to the article Amazon intends to use metrics to allow third-party retailers the chance to get in that prize spot. (Amazon gets its stock from the publishers, but acts as the distributor itself.)
Author’s Guild (AG) is incensed at the suggested change, but on reading their article I find their arguments less than compelling. Continue reading
In this season of buying, selling, celebrating, advertising…I’d like to take a moment to talk about ebooks. The market of ebooks actually reveals some profound facets of our philosophy, and points to the worldview that underlies our actions.
From the prices of ebooks (for which I’ll direct you to Jordan Smith) to DRM (which I’ll explain in detail), how authors and readers interact matters – both to how readers view writers and their works, and to how writers are compensated for the toil and tears they put into creating their book.