Why Genos is Adorable

I…I’m in love.

I don’t even know how it happened. It all started when my brother bought the first season of One Punch Man…and then –

Why Genos is Adorable — Kimia Wood

Then this gorgeous creature entered my life.

His name is Genos. He makes me swoon.

Me! Who can’t stand romance except in microscopic doses! Me, who hates the fourteen-year-olds-in-grown-women’s-bodies who squee about their book boyfriends like a bunch of @$#%?@ —

Why has this emotion taken over my life, and why does that hunk of metal and blond hair make my heart flutter EVERY – SINGLE – TIME?

Well, I’m here to over-analyze just that and try to arrive at a logical answer. Welcome along for the ride.

He shoots fire out of his hands.

Need I say more?

He’s a blond cyborg.

Need I say more?!

He asks to be the main character’s disciple.

Saitama is technically the main character, but in a lot of ways he’s less interesting than Genos (to me).

Genos can’t obliterate enemies with “one punch” – and he knows it. He admires Saitama’s strength, and tags after him in the desperate hope that he will himself become stronger.

But their dynamic has so much more to it than that, and as the season progresses and they learn about each other Genos’ unshakable faith in Saitama (when the entire rest of the world thinks he’s a wanna-be fraud) is part of what keeps Saitama going (when he’s really kind of bored with the whole thing and really just wants something to punch that doesn’t immediately disintegrate).

He’s nineteen.

And he acts nineteen! He’s super serious, and focused, and aspirational. He’s idealistic, and wants to get constantly stronger so that he can be an even better hero!

He’s inexperienced, and he knows it. Everything about him screams green, eager, and determined.

His memories of his tragic backstory are fresh in his mind, and he’s dedicated to preventing that from happening again.

He respects his elders.

Obviously he respects Saitama, but this goes for everyone else more experienced, too.

Whether it’s a tough old grandpa/mentor type who wants these new up-starts to succeed, or a self-important veteran who just wants the newbies to stay out of his way…Genos knows he doesn’t know it all. And he’s all about letting those who know teach him.

He plays well with others, and isn’t selfish.

Genos isn’t about being a one-cyborg-show. He knows the value of working with and learning from those who have walked the path before.

When a hero out-classes him, he readily submits to their superior skill. When a “hero” pathetically fails, he moves in to fill the gap.

None of what he does is about making Genos look good. It’s 100% about service (and also about becoming a better servant).

He gets blown up. A lot.

He’s a cyborg, of course, so he just needs to get rebuild.

But Genos getting his butt kicked is TOTALLY ADORABLE for some reason. (And his battle music is pretty cool, too.)

He has a tragic backstory.

Genos’ whole family (and most of his town) was blown up by an evil cyborg. But now he’s been rebuilt to be a good cyborg and hunt down the evil cyborg. (Sympathy points!)

He’s super grateful to the scientist who saved his life, and later to Saitama (who saves his life repeatedly).

His tragedy hasn’t given him baggage…just a(n adorable) drive to do the right thing, and to protect those who can’t protect themselves. (And also get strong enough to protect them against even bigger threats.)

His chemistry with Saitama pushes Saitama to be better.

Why Genos Is Adorable — Kimia Wood

Genos wins noodle-eating contest. Image credit: OnePunchMan.fandom.com

I think.

At the very least it’s hilarious the way Genos hangs on Saitama’s every word – while Saitama doesn’t really know why he’s so strong or how to help anyone else improve.

But Genos’ earnest, sincere devotion force Saitama to dig deeper, involve himself in more heroics, and embrace his mentor role (or at least make up something that sounds profound).

He’s naïve.

Genos believes everything Saitama says…even if he just made it up to sound good.

Saitama has no idea what makes him so strong, and no actual martial arts technique…but Genos doesn’t care. He knows what Saitama can do, and respects him profoundly for it.

But his naïvety also makes us laugh from time to time. Aww…

He never gives up.

Did I mention he gets his butt kicked?

Even though he can vaporize an eight-story building with one blast, he still gets “turned into bad modern art” almost every episode. (Has he ever even won a fight? I’m trying to remember…)

But not only does he look ABSOLUTELY KICK-BUTT while he’s getting trashed, it never stops him from giving it his all. Whether he’s shooting his fiery lasers at a meteor or punching an enormous monster, he pours everything he’s got into his task.

Although sometimes he over-analyzes.

He is a cyborg, after all, so data is very important to him. He’s memorized all the stats on every hero, and he tries to out-strategize his opponents whenever possible.

When he gets it wrong, that just means he’s still learning and growing and IT’S ADORABLE!

(He’s basically what Eric Kedzierski would be if Eric were a little more erudite.)

He’s smart, detail-oriented, and has a great memory.

Genos has read all the pamphlets. Contrast Saitama, who doesn’t even know what his job description involves.

Good thing he has Genos to keep track of all the details for him, tell him what’s going on, who’s who, etc.

Genos is the kid in college who actually read the textbook and aced all the tests.

Like me 🙂 except some of my tests weren’t 100%.

Can you say over-achiever perfectionist ADORABLE?

He saves little kids from certain death.

Even if it means having his back, lower body, limbs, and most of his torso melted off by acid.

I love this guy!

He’s honest.

When he asks Saitama to accept him as a disciple, he inadvertently spills his whole life story. He’s also very upfront about why he wants to be around Saitama.

In fact, he’s open and straightforward with everyone he meets. It’s hard to imagine him attempting a subterfuge…or succeeding if he did.

He’s humble and heroic.

With all the snotty, high-powered heroes running around showing off their muscles and looking down on the “lower class” heroes, you’d think Genos would mention vaporizing that multi-story building. At least once.

But no.

He’s there to save innocent people, learn from those stronger and better than he, and support his master Saitama.

In fact, when he knows about a sufficiently enormous threat, he automatically invites Saitama to come with…even though Saitama isn’t technically in the “high-tier” group.

Genos never elevates himself. He never grandstands on a kill or tries to get media attention.

His first instinct is always the protection of civilians. His next focus is always Saitama – learning from him, appreciating his victory, or defending him from the critics.

Combine that with Saitama’s willingness to take a publicity fall for the benefit of heroes as a whole, and you get a duo-dynamic that is TRULY AWESOME.

Did I mention he’s a blond cyborg?

He also has sexy yellow eyes, tracking robot vision, and lifeform-detection technology (when he uses it).

This might explain why I’m still single.

I’ve put the bar just so, so high…

But come one. A cute, honest, driven, smart, humble, conscientious, sincere, kick-butt, building-vaporizing cyborg? With blond hair?

How is this too much to ask?


Note: One Punch Man is a fun, raucous show, but does contain a handful of scattered swear-words, heavy gore, and borderline male nudity. Parental guidance recommended. (It’s also Japanese, so make sure you get a version that will work in your area before you commit. Also dubbing is nice.)


Why Genos is Adorable — Kimia WoodKimia Wood is still single and has no idea why.

She currently lives with her family somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates on her latest reading and writing adventures!

“Avatar: The Last Airbender”

A"Avatar: The Last Airbender" — Kimia Wood kids’ animated series has not previously been in my box of tricks, so this was a fresh, new experience for me and my viewing partner.

Avatar: The Last Airbender has cool characters, awesome moments, great fights scenes, and interesting world-building…mixed in with immaturity and Buddhist mumbo-jumbo. But, hey, it’s all about the #siblingtime, right? Continue reading

“Caesar III”

"Caesar III" — Kimia Wood — civilization simulator This civilization simulator has been one of my favorite games since childhood. The only trouble with playing it is that it will be an automatic three-hour sink every time I open the program.

The Mechanics of an Empire

Caesar III puts you in the role of a governor building a town from scratch. Your manager on behalf of the Emperor rates your performance based on population, crime rate, revenue, cultural attainments, etc.

As is typical for a city-simulation game, you are the Supreme Tyrant of your town. You must provide food and housing for your citizens, make sure they can get to the buildings that need employees, balance your building needs with tax income, and more.

Bread for the Masses

The food system is especially complex, requiring much concentration and study to perfect. Farms (which require labor) will produce food, which is delivered to granaries (which require labor). From there, it is distributed to markets (which require labor), which send “market ladies” out to distribute food directly to people’s homes. In especially complex cities, a market lady might take a wrong turn, leaving people down the dead end to starve until she figures it out.

And there is no way to control the way the people walk. They travel the roads of your city, randomly deciding which branch to take at each crossroad, and returning to their starting building once they “run out of food” or get tired.

All this careful finagling is perfect for sucking in hours of the player’s time. After all, figuring out how the system works and what you need to tweak to get it to function is all part of the fun!

If you happen to have a “warehouse” near your farms (designed to hold other things like pottery and furniture – oh, yes, you have to provide those, too) the warehouse might accidentally collect the food intended for the granary (in case you want to sell food to traders, you see) and this means the market workers can’t access it from the granary!

(Did I mention farms can only be built on land that’s arable?)

Imperial Combat

This is not a fighting game, although it includes limited mechanics for warfare. Some of the areas you will be assigned to are threatened by “savages” who will attack your town! (It’s even possible to face Carthaginians on elephants!)

If your town is in a dangerous area, you will have the ability to build military structures. These include walls and gatehouses, plus barracks for housing legions of soldiers (spearmen, legionaries, or horsemen).

I preferred playing maps that were “moderately” dangerous, so I could build gates to contain my populace (building a gatehouse across the road keeps people from wandering down its full length) and hosting soldiers to help put down potential riots (if you keep your citizens stuffed and entertained, they’ll pay their taxes and behave. Ignore their demands, and they’ll get vocal and torch-wielding about it).

Variation of Terrain

Caesar III adds variety by offering you assignments in different parts of the empire. For instance, you might take a post in the wilds of Britannia, where the grass is lush and green, and the groundwater easy to tap. (You must build fountains to give your people water, supplied by the famous Roman aqueducts.)

"Caesar III" — Kimia Wood — civilization simulatorBut perhaps you will be sent to North Africa, where the pale sand is dotted with shrubs and bushes, and water is harder to provide. You’ll also have to use your farmland very wisely, as farms can only be built where crops will grow. Of course, working out the geometry for maximum farm-age is part of the fun!

In some areas, you are provided with lots of coastline, and expected to feed your people with fishing wharves. Sometimes there are even “primitive” natives, who must be pacified with a missionary post (teaching Latin and civilizing through education, of course!).

Other Obstacles

Oh, yeah, your buildings can collapse or burn down if they’re not maintained."Caesar III" — Kimia Wood — civilization simulator

Your people are really demanding, and no sooner do you give them pottery and oil than they want furniture and wine! (Just click on the houses, or on the crowds walking the streets, and they’ll tell you exactly what they think!)

Also, sometimes wild animals will run around the map and stand right where you want to put a building!

Your Imperial Boss

You may have the ultimate authority and responsibility over the people and buildings in your city…but Rome has ultimate authority over you!

Caesar gives you money to get you started, and might send you loans to get you out of trouble should you need it… But he also has demands to make.

It’s not unheard of for him to demand 20 units of oil, or pottery, or another commodity. Then you have to order your warehouses to stockpile this item, and hope you gather enough before the deadline.

Don’t keep the Emperor waiting.

The “God” Mechanic

There are even more things to worry about as you try to build your city! Five Roman gods (Mars, Venus, Ceres, Mercury, and Neptune) will want temples and festivals in their honor. Your citizens are also happy to be able to pay their respects, and will want access to several different nearby temples so they can cover all their bases.

"Caesar III" — Kimia Wood — civilization simulatorHosting festivals entertains your people, and flatters the gods. In return, the deities might bless your crops, or send a protecting spirit to kill your attacking enemies.

But if you should ignore them for too long…or – heaven forbid – give some other god more temples than they have…! Oh, they will make their wrath known!

Fortunately, you can turn “gods’ effects” off on the difficulty screen. I usually played with this “off” unless I had all the gods fat and happy.

Educational Content

So, Caesar III is a great way to burn the extra hours in your life. It’s even fun to tweak the systems in your city and gradually afford bigger and better buildings (I have yet to have a city that could support a hippodrome, but I’ve dreamt of it). Building your first colosseum, of course, always sparks a cut scene celebrating your promotion from “village” to “city”!

But educational content?

Back in my younger days playing this, I discovered a little question mark box in the corner of whatever dialogue screen you were in. Clicking this button opened a whole new world.

If you were interacting with a house, the ?-button would give you information about the Roman homes and the differences between simple terra cotta “casas” and the multi-story “insulae” (which are more like apartment complexes).

If you were interacting with the colosseum or theater, you could learn about entertainment in ancient Rome. The warehouse might tell you about ancient trade routes. The granary, food supply.

Believe it or not, at the age of twelve I spent a lot of my play time reading these little informational items, digging through to learn how each element of the game connected with the real Rome.

Educational games don’t have to be bright and colorful, or feature singing animals. All you need is a curious kid, and something that connects the game world with real life.

Rule the Empire!

To be perfectly and completely honest, I haven’t played this game out to the bitter end. Part of the reason is that it’s addictive (I’ll just build one more clinic…just wait until a few more people immigrate…ooh, a little more money and I can build this thing right over here…) Like a jigsaw or cross-word puzzle, each missing piece (say, a neighborhood that wants pottery) connects with several other pieces (like clay pits that need workers to run them) and each right answer is dependent on several others (like figuring out how you’ll feed the neighborhood that’s tucked in the corner by the clay pits to supply workers to the clay pits).

It might be more fun for those who enjoy attention-to-detail and obsess over the connection of many moving parts…while those who need a faster pace or more instantaneous affirmation might get bored.

But if you’re up for a challenge, have plenty of free time (like, HOURS of free time), and wouldn’t mind learning about the ancient Roman Empire…then I highly recommend Caesar III!


Caesar III is available for Windows from GoG.com, optimized for modern computers.

used Crossover to play this version on my Mac, and it works fine.

Also available on Steam for Windows (be aware Steam DRM-locks their software).

Find on Amazon as a digital download (for Windows), or in disk form.

Subscribe to Kimia Wood’s mailing list for updates!

“The Blackwell Epiphany”

"The Blackwell Epiphany" — Kimia Wood

The Blackwell games are point-and-click puzzle adventures in the paranormal detective genre.

The premise: Rosangela Blackwell (and her aunt Lauren Blackwell) are “mediums” who seek out troubled spirits, help them realize their death, and send them to “the light” of the next world. Joey Mallone is their snarky “spirit guide” who bridges the gap between spirit world and living world.

The first four games blended humor and creepy with some excellent writing, then ended on a little bit of a cliffhanger (especially if you knew there was a sequel).

Blackwell Epiphany is that sequel. While it’s not all I might wish it to be, it ends the series on a high note of emotional story-telling and professional game design. Continue reading

“Myst IV: Revelation”

"Myst IV: Revelation" — Kimia Wood I fell in love with the Myst games a long time ago. The photo-realistic worlds and the tantalizing hints of deeper things always left me wanting more.

Until now. Myst IV: Revelation has…finished Myst for me. It is concluded…I am satisfied. And for once, I don’t need to weep at the parting. (Well, maybe just a little.)

The World

The central premise of Myst is that a civilization called the D’ni could create worlds by writing books, and then visit those worlds physically by linking through the books. (A person must bring a return Linking Book with him when he goes exploring, and any book you link through doesn’t come with you – it stays in the first world.)

From a first-person perspective, we point and click our way through these “Ages” to unlock doors, uncover passwords, power machines, and solve puzzles. And, of course, soak in breath-taking landscapes, vistas, and architecture."Myst IV: Revelation" — Kimia Wood

Whatever else I can say, the world is still incredible. Hydraulic locks, levers and buttons, rotating bridges and elevators…it’s like an engineer’s playground. These real-world mechanics mix, of course, with magic crystals, strange animals, bizarre cultures, and the Age-writing Art of the D’ni.

The Progress of Technology

Myst was released in the dark ages of computing, when graphics cards were limited, the in-game animations were tiny and limited, and the curser was a 2D hand (that changed shape for different interactions).

Revelation seeks to take full advantage of the progress of computer technology, and offers a 360º, 3D-rendered environment to explore.

This means that the world around you doesn’t always look as photo-realistic as it did in Myst, or Riven. The camera also has a tendency to focus in on the foreground, or the background, depending on where your cursor is. I think this is to mimic the variable focus of the human eye, but it’s distracting.

As for the cursor, it’s a 3D, CGI hand. It waves vaguely wherever you point it; extends the fingers to indicate a direction you can move; whips out a magnifying glass if something can be examined more closely; and stretches the fingers subtly if you can unroll a map, pull a lever, or other similar action. This final characteristic can be easy to miss, and if it’s not obvious something is there to manipulate, you can easily miss some interactions.

Atrus’s Family

If you haven’t yet played Myst or Riven, SPOILER ALERT! (Also, go do that.)

Way back in Myst, we met two characters trapped in books that they had thought were Ages: Sirrus and Achenar. Their dad is Atrus, and he is a descendent of the fallen D’ni civilization and a writer of Ages.

If you played through Myst, explored the Ages that link from it, solved Atrus’ pretty un-secure password manager, and uncovered the truth about what happened…you’ll know that Sirrus and Achenar trapped their father without a Linking Book home, distracted their mother, burned most of Atrus’ library of Books, and used the special Books he had warned them never to touch.

Blam! The books trapped them. And once you free Atrus, he burns those books to keep them from ever escaping.

Until now.

Revelation!

Fast forward twenty years. Atrus invites you (his nameless, faceless, gender-less “friend”) to his new home, where he is attempting to spy on the Prison Ages and decide if his sons have repented of murdering the inhabitants of the Ages and are ready to be released.

Yes…we can see this ending well, eh?

"Myst IV: Revelation" — Kimia Wood

Image from Pixabay

Turns out, he and his wife have already written visiting capsules into the Prison Ages. That way, they can link into the capsule, have a visit through bars, and link away – leaving the Linking Book for their own home out of the reach of the prisoners.

The prisoners can’t possibly escape! Why would you worry about that? Atrus only built complex machinery and houses and scientific equipment by hand in his various Ages…what makes you think his sons could do the same thing from scratch?

Yeesha

Did I mention? Atrus also has a ten-year-old daughter now.

Maybe it’s her dialogue, or maybe it’s the delivery of the actress, but Yeesha is clearly supposed to capture our sympathies and feel like a dear friend (even though we’ve actually only just met). Y’know, one of those annoyingly perfect child-characters.

Especially as the “mysterious circumstances” start piling up, you really start to feel that Atrus is a clueless dupe who should have stuck to books, and not attempted children.

Puzzles

I should say something about the puzzles.

We have our classic Myst fare here, with locked doors; passwords in journals; machines that need power; etc.

It made me wonder if Atrus has a constellation-based color-combination lock on the bathroom…and then I realized that his house has no bathroom.

Also contains one or two pixel-hunts, although that might be due to the mechanics of the cursor-hand (see above).

Messin’ with Memory

Added to those familiar hurdles is a new mechanic. Yeesha has a magic necklace that shows memories."Myst IV: Revelation" — Kimia Wood

This, along with the journals that every member of Atrus’ family conveniently keeps, lets you piece together the motives of the various actors, solve some of the puzzles, and generally be the worst thing to happen to Sirrus and Achenar!

M’whahaha! If you wanted to forge an evil plot, you shouldn’t have invited the Stranger-from-the-Starry-Void!

Seriously, though, this mechanic gives you hints for solving the puzzles, plus valuable information at unraveling the sinister plot being woven.

Who is plotting what? Who is evil? And who should I trust?

Being able to view people’s secret memories is very handy for that…

A note on story tension

My family mocked me for this, but I’ll bring it up anyway.

Whenever you linked to new Age in Myst, you had to solve the Age’s puzzles and get things working again to unlock the Linking Book and return to Myst.

In Riven and Exile, you plunged into an unknown world without a ticket out, and had to solve your way forward to find any way to escape. (And in Riven especially, Atrus’ wife’s fate hangs on your success.)

In Revelation…your first task is to “oh, get the power back on, will you?” Your second task is, “Feel free to check out my Linking Books if you like…oh, and make sure Yeesha does her homework.” Ha ha.

Beyond that, though, every single place you visit has a Linking Book back to Atrus’ home right there at the beginning. You don’t need to venture into predator-infested jungles, or brave bottomless shafts in wind-swept fortresses…you can say, “Forget this,” and hop back home.

Obviously, I bought this game in order to play through the puzzles, and feel smart, and uncover the story through journals and clues. And my family helpfully pointed out that this gives the game a less linear structure. You can solve this Age, or that Age, or stay and futz around the first Age…or jump to this new Age…

Solve puzzles in whatever order you want. Travel when and where you want. Stop and go back to a place you especially liked if you really want.

True, this gives the player much more freedom in how they play and the order they play puzzles in (and the sequence in which they unravel the story).

However, it also saps some of the urgency from the story. You are not trapped, and hunting for an escape. Later on, you’re kind of searching for Yeesha, and trying to uncover what happened…but it’s not like there’s a rush. There’s plenty of time to ransack the Ages for anything marked PRIVATE DIARY. And, well, there’s not the same level of narrative tension.

(Perhaps if I hadn’t thought Yeesha was an annoying Mary Sue who was also try to kill me via collapsing bridge, I would have felt more invested in the rescue mission. But again, when I could back out at any time and return to Atrus’ house… “Hey, I’ll make some tea or whatever your culture drinks…Hope it all works out, Atrus! Maybe you should spend more time supervising your children than leaving them in the care of your ‘friend’ and dashing off for machine parts.”)

Serenia…or, the 1960s New Age-y Age

Revelation gives you four Ages to explore. The final one is Serenia.

"Myst IV: Revelation" — Kimia Wood

As if the rest of it wasn’t weird enough…

The outside of Serenia is beautiful — full of twisty, hard-to-map paths; flowing, conjoining streams of water; butterflies that look like organza pixies; and trees that release dandelion-poofs on the wind.

The inhabitants’ culture is based around giant mushrooms that store people’s memories when they die, so their loved ones can travel to a mental space called “Dream” and “visit” the dead ancestors again.

(As one of the female tenders of the mushroom says: if you don’t heal the “Memory Chamber”, “we may never be able to visit our loved ones again!” I bleed for you says the gal from a world where people stay dead…and we don’t have memory spheres to help hallucinate a spirit visit.)

Back to the culture, the “Protectors” have somehow seen your arrival prophesied (y’know, you – the protagonist) and help you find a spirit guide (from the air, fire, or water spirits that play in the forest) so you can travel to Dream and find out who kidnapped Yeesha.

They also wear a stripe of face-paint down their noses (and have creepy, African-esque masks). And the puzzle in Dream is like musical color-matching on evil steroids!

Atrus was always an apologetic, kinda nerdy guy…but lately he seems to just assume you’ll help dig him out of whatever hole he’s gotten himself in. And these all-knowing chicks in Serenia are even more pompous and touchy-feely.

Even if I hadn’t heard such dismal things about Myst V: End of Ages…this “New Age” spiritualism is enough of a departure from the original heart of Myst (nuts and bolts, analog passwords, and the science-based “magic” of the D’ni Art) to make Revelation my last Myst game.

Climax Catharsis

Yet I said I was satisfied. Why am I satisfied?

Well, without laying bare the resolution…the climax of Revelation hinges on you choosing to believe one of Atrus’ children over another. This choice is based on what you have learned by reading their journals, listening to their memories, and piecing together the Evil Plot (and who is probably responsible for it).

Got the right answer the first time. (Thank you, thank you, no need to clap.) And the conclusion that is spun from that –logically, inexorably – brings the plot-line to a perfect and reasonable end.

While the writers did a bit of ret-conning to bring Sirrus and Achenar back into the story, the way they handled the two of them (and Yeesha) was believable, appropriate, and entirely conclusive.

In a way, they un-did the ending of Myst…and yet, in another way, they built onto it so naturally and understandably that Revelation is really a good end for Myst – the game and the series.

My Last Myst Game

When I played through Myst again several years ago (in the updated and expanded RealMyst version), I loved the Ages and the visuals as much as I always had…and left hungry to play Riven.

"Myst IV: Revelation" — Kimia Wood

A secret journal? Must read!

I re-played through Riven: The Sequel to Myst, and I loved it even more than Myst (not only is it longer and more complex, but it feels like less of the history is buried or off-screen). It also left me longing to play Myst III: Exile.

I have not yet played through Exile a second time, but I know it left me eager to try Revelation.

And now…

Part of it is the bad reviews my brother tells me about from Myst V, and part of it is…the story is complete.

I have scratched my first-person point-and-click itch. Myst created a game type never before seen…and now Revelation has brought the story and the world full-circle.

The ending is bittersweet, poignant, and appropriate. It is also, I think, The End.

(Though I already bought Obduction, which is by the same developers/writers, but set in a different universe. We’ll see how that one pans out…)

As always, I highly recommend the Universal Hints System to give you just the help you need…and no more.

In Myst IV: Revelation, the next chapter in the greatest adventure saga of all time, you’ll travel through environments pulsing with life to unearth a treacherous scheme involving two of Myst’s most sinister villains.

Find the game on GoG.com (DRM-free!), Steam (which includes DRM in their software), and on Amazon if you really need a disk (though paying over three times the price for digital download sounds ridiculous).

Wish-list it on GoG to be emailed when it goes on sale!

“Red vs. Blue” (Seasons 6 thru 13)

"Red vs. Blue" (Seasons 6 thru 13) — Kimia Wood The internet is a dark, mysterious place…full of dangerous things like web series. If you aren’t careful, you might find yourself…watching Red vs. Blue.

And if you have a little brother, you might find yourself compelled by those big brown eyes to watch it, despite your better judgement. #askhowIknow

In all honesty, though, is RvB really that bad? Well…it has some content “not for mothers-in-law“, but it also has a lot of powerful, heart-moving themes.

You gotta decide if you’re up to getting there.

Premise

This might sound weird, but RvB is a Halo-based Machinima where two teams of soldiers camp on opposite sides of a valley in color-coordinated teams (yes…Red and Blue). It streams free on YouTube (in five-minute episodes organized into seasons), but is also available in DVD format.

I gather that early on, it was basically an excuse for cheap skits and foul-mouthed jokes while these pathetic losers tried unsuccessfully to kill each other.

But I wasn’t brought in until Season 6…when they actually start telling a cohesive story. Continue reading

“Incredibles 2”

 The Incredibles was practically perfect. Gorgeous animation blended with a deft plot; escalating tension melded with heart-warming family dynamics; an adorable yet realistically high-stakes romance between a husband and wife strode alongside the every-man struggle of a middle-aged father to find his place in life again; and weaving through it all was a truly diabolical yet savory villain.

Well, perfect is understandably hard to top…even for a writer and director of Brad Bird’s impressive story skills.

So……did the sequel pull it off?

That’s a question each viewer must answer for themselves—but here is my take. Continue reading

Authors I Read for the First Time in 2018

This past year, my mother gave the entire family a reading challenge of fifty books – that we hadn’t read before! This gave me the opportunity to read several new authors, which I will share with you for this week’s Top Ten Tuesday post!

Independent Authors

Since I read fifty books this past year – and kept track of them all! – I’m able to split this list into “indie” authors and more “traditional” or classic authors.

So, for authors I read for the first time in 2018, and who publish their books independently:

1—E.B. DawsonAuthors I Read for the First Time in 2018 — Kimia Wood
(Nomad of the Emirates)

A good writer with a fresh, interesting perspective on things.

She also has a third-culture heritage. Check her out!

Author’s site

2—Sarah Holman
(Kate’s Innocence)

Her mystery was actually a mystery!! but oh, she needed a competent editor!

Author’s site

3—Morgan Elizabeth Huneke
(Twisted Dreams)Authors I Read for the First Time in 2018 — Kimia Wood

She took a story I’m not that crazy about (Sleeping Beauty) and a setting I wasn’t sure about (cross-genre dream-worlds) and wrote a tale that sucked me in.

Probably because of the feisty younger brother.

Author’s site

4—Allison Tebo
(The Reluctant Godfather)

A competent author with a bright future before her…though if it were me writing the story, I wouldn’t have let romance solve the world’s problems.

That’s me. Grumpykinz.

Author’s site

5—Amanda Tero
(Coffee Cake Days)

Her short story really nailed what it’s like to grow up in a large, homeschooling, Christian family.

Author’s site

Other Indie Authors from this year:

Julie C. Gilbert (The Collins Case)— I’m glad I read her story, as I’ve referred to it several times in my own work…as something not to do. I feel bad, but really…gotta be honest, or how will we grow?

Ruth O’Neil (Come Eat At My Table)— A really slow-simmering story joined up with an uninspired writing style to…sneak up on my emotions when I wasn’t looking!

Traditional/Classic Authors:

Authors I Read for the First Time in 2018 — Kimia Wood1—Robert Ludlum
(The Bourne Identity; The Janson Directive)

His suspense is AMAZINGLY SUSPENSEFUL; his mysteries are deep and twisty; and his plot “onions” have layers upon layers of juicy, edge-of-your-seat intrigue.

But you gotta have a strong constitution and conscience.

(Read my full reviews for content cautions.)

Author’s Goodreads page

2–Roger Zelazny
(The Chronicles of Amber)

Authors I Read for the First Time in 2018 — Kimia WoodThis is a fantasy series with world-ending stakes, told through the eyes of the very relatable Corwin — who doesn’t trust his eight brothers farther than he can throw them, but will drop everything to hear to latest gossip about what they’re up to.

It’s super fun. My brother has yet to yield and read it.

(Also: Zelazny could have used a competent editor. But that’s the way it goes.)

Author’s Goodreads page

3—Larry Correia
(Monster Hunter International; Monster Hunter Vendetta; and Monster Hunter Alpha)

Fulfills the genre. So if you’re into splatting monsters with jacked-up firearms…full steam ahead!Authors I Read for the First Time in 2018 — Kimia Wood

My brother (who gave up on the reading challenge when he got a job in March) has read through to Book 6 and is eagerly awaiting the next one.

Another fun fact: Mr. Correia self-published MHI, but then signed with a publisher — Baen Books. Proof of what can happen to you if you know your audience, get them to trust you, and write a gripping, solid, entertaining story!

(Read my full review for content cautions.)

Author’s site

4—Sabine Baring-Gould
(The Book of Were-Wolves)

This book was profound, interesting, and somewhat disturbing. If you want to know about the actual history of were-wolves and their legends, this is a good, readable book.

Author’s Wikipedia page

5—Tom Clancy
(The Hunt for Red October)

Red October was good, honest fun. It’s dubbed the father of the “techno-thriller” genre, and I can see why. While it wasn’t as pulse-pounding as Ludlum’s stuff, it did manage to make the science of submarines sound exciting (or at least interesting).

Author’s Goodreads page

Other “classic” authors I read this year:Authors I Read for the First Time in 2018 — Kimia Wood

Blake Snider (Save the Cat)— A must-read in writers’ circles…for good reason. I’ve gotten a little bored with the glut of writing gurus on the internet—so if you’re only going to buy one writing book, Save the Cat is a good, all-bases-covered source-text.

Ian Fleming (On Her Majesty’s Secret Service)— This is the first James Bond story I’d ever read…and frankly, Robert Ludlum is better. Sure, Ludlum has sex – and more violence – but I don’t come away from his stories feeling so empty.

John Grisham (The Racketeer; The Testament)— I know John Grisham is a really big name (at least in the circles I’ve touched) but my first impression was…bleh. Mom convinced me to try another of his books, and it was…okay…? I guess I didn’t loathe the main character of The Testament—so that’s a plus.

Authors I Read for the First Time in 2018 — Kimia WoodSir Walter Scott (Ivanhoe)— This is a classic, a treatment of Robin Hood and King Richard, a treatise on racism and classism in 12th century Britain, and well worth reading. Even if you’re not into historicals, it might teach you something!

Virginia Myers (Vessels of Honor)— As a Christian, this book was an amazing example of showing grace and love to people we don’t see eye-to-eye with!

Mike Mikalatos (Good News for a Change)— This book is about talking to others about Jesus, but it would be useful for so many other situations because it’s about actually listening to people while conversing with them and is AWESOME.

What Will I Read in 2019?

I had a lot of fun with this reading challenge, and met a lot of new “author” friends!

Let’s see what cool new books I read in 2019.


Authors I Read for the First Time in 2018 — Kimia WoodKimia Wood currently lives somewhere in the American midwest, bracing for the collapse of society by baking, knitting, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier, plus occasional updates on her latest reading and writing exploits.

The “Blackwell” Bundle

In an attempt to recapture the gaming experience of Gemini Rue, I hunted through its developer’s catalogue. The Blackwell series caught my eye, and I took advantage of a sale to snag the bundle (because who buys anything at full price?!).

TL;DR for the series? It’s not as amazing as most of the other puzzle games I’ve played, but it was definitely worth some #SiblingTime.

The premise: Rosangela Blackwell’s life turns upside-down when she discovers she’s a medium and inherits a spirit guide from her aunt. Her guide – the saucy ghost Joey – teaches her of her mission in life: helping spirits come to terms with their death and “move on”.


Not my usual genre at all…but half of “paranormal detective” is detective, right? Continue reading

Best Video Games for Kids

I grew up on video games from my earliest childhood. Many of these I watched my dad play — in fact, we have a photo of my brother, not yet old enough to walk, sitting on Dad’s lap watching Warcraft III.

But I myself played my share of video games. You may scoff, but some of my fondest memories, the most enduring stories, breathtaking characters, and immersive experiences have come from games.

If you have kids, you want them to be encouraged, educated, and edified by the media they consume. This includes watching the books they read and the friends they play with.

Dare you let video games play a role in their development? If so, let me share with you the best and brightest games from my youth…the ones that taught me most, or touched me the deepest.

DISCLAIMER: CHECK YOUR OPERATING SYSTEM AND THE GAME’S SYSTEM REQUIREMENTS BEFORE BUYING ANY GAMES. After all, I’m not exactly a spring chicken…

Teaching Games

Admit it. We parents are duplicitous, and want to sneak little nuggets of knowledge into the things our kids think are just fun.

Sure, there are lots of games like this, some more recent or successful than others. But from my own vast childhood experience, these are my top picks:

Alphabet Express

Best Games for Kids — Kimia Wood

Image credit: mobygames.com

Do you know your alphabet? This game has a colorful scene for each letter, filled with colorful characters and hidden “H”, “L”, “Q”, or the like.

This “game” is simple, but entertaining. Clean and cheery, it’s also perfect for little kids.

The Blaster Games

Blatant educational content has a name. In my childhood, it was Science Blaster Jr., Math Blaster Jr., Reading Blaster, and Math Blaster (Ages 6-9).

There are many more in the series, as I learned from the walkthroughs on YouTube. (A walkthrough for a kids’ educational game? That’s like taking a Dr. Seuss book, designed to get kids to read, and making it into a movie! Ya dig?)

Best Games for Kids — Kimia Wood

Image credit: EliSoftware.org

Meet Spot, G.C., and Blasternaut – my first self images. Spot is also my first game crush; he’s the cute little blue robot. I even have a notebook featuring a pictogram story about them.

These bright characters introduced basic science facts, easy math, and reading puzzles to us youngsters on their spaceship full of mini-games. Not so arduously academic as my exposure to Reader Rabbit, and not so story-driven as the Humongous games, the Blaster games hit a sweet spot of fun and function.

Be careful playing the Big Kid game, though: Math Blaster Ages 6-9. It features Gellator – the Brain-Drainer…an evil yellow ooze-being who kidnaps Spot and terrified my five-year-old self. To the point that I would never play the actual story-line, only test mode.

Ah, kid fears. Continue reading