Character Perspective—Jerk Is in the Eye of the Beholder

When an author chooses to write a story in a certain character’s point-of-view (POV), it’s because the author wants the audience to bond with that particular character – and see events from his or her perspective.

As the old saying goes, “a villain is the hero of his own story.” The choice of which character is in charge of the telling will play a vital role in how the rest of the story plays out.

We will examine this more closely using two examples: the opening of Ten Thousand Thorns, and the “Yellow Trailer” for the RWBY web series. These two pieces of fiction affected me in very different ways, and I think it all comes down to perspective.

Case 1: Sleeping Beauty is a Martial Artist Princess in China

Character Perspective: Jerk is in the Eye of the Beholder — Kimia WoodThat’s Ten Thousand Thorns in nine words. (Check out the “Look Inside” feature on Amazon.)

On page one, we are introduced to a secretive young man hiding in the corner of a tea tavern. (He thanks the serving girl politely when she pours him some tea.)

On page three, a delicate young girl kicks a hole through the wall. She snaps at the tea the waitress gives her, generally acts like a terrible customer, and ends by kidnapping the village elder.

The author has one perspective on this scene:

Character Perspective: Jerk is in the Eye of the Beholder — Kimia Wood

“there are many, MANY reasons why I so deeply love Ten Thousand Thorns, my kung fu Sleeping Beauty baby, but the first scene in which my heroine blasts a guy through a tea house and then gets snobby about tea is one of them” [via Twitter]

And I have another perspective

Namely, that I feel sorry for this mysterious young man, sorrier for the tea establishment who’s out both a free cup of tea and a wall, and utterly unimpressed with this cocky little “Iron Maiden” who seems to have the manners of a whirling dervish.

I’m certainly not prepared for the young man to fall in love with the Maiden over the course of the story (which is what happens). In fact, if someone came along to kick this chick’s butt, I’d be okay with that. Put it down as a gesture to retail associates everywhere.

Case 2: Mz Punchy McPowerhouse on a Power Trip

Now let’s check out RWBY: “Yellow” Trailer…our grand introduction Yang Xiao Long, one of the four main characters (disclaimer: this wasn’t really my first time meeting Yang, so that might have colored my reactions a bit):

What a jerk! What a pompous bimbo! What a…What a cool character!

I don’t like Yang – but I like Yang!

Who’s Head is This?

In my own over-analysis, the reason I like “Yellow Trailer” when I feel I really shouldn’t, and why Ten Thousand Thorns struck me as so very “meh,” is…perspective.

In TTT, the first person we meet is the male wanderer protagonist. Our baby chick brains “imprint” on him…so when he’s stunned and nervous about this sassy little girl kicking through walls, so are we.

In “Yellow Trailer,” our first image is of Yang on her motorcycle. We’re “in” her head. Through the whole rest of the scene, she’s the character we’re psychologically tied to and identified with. Yeah, she’s beating up people for no reason…but it’s a power trip we can have fun with.

In TTT, the second person we meet is the unnamed tea waitress – who never appears again! We see things from her perspective before we even meet the “Iron Maiden” – let alone understand her point of view.

Just who’s going to pay for that wall, anyway?!

Author Responsibly

It could be I’m just weird. I get that a lot. But the responsibility of “who tells the story” is a heavy burden, and a choice we as authors must make deliberately.

Not to brag – but, yeah, totally to brag – my choice to tell Transmutation of Shadow in first person is a big part of what makes it work. Trying to make Eric Kedzierski “Mr. Tall-Dark-and-Mysterious” would kill the tone, and distance readers from his thought processes… In a book that already starts with Eric murdering a senator for the mob, that kind of distance would destroy author-reader trust.

And that’s pretty much the one thing that’s absolutely fatal to a work of fiction.

Comment! Is there a book you’ve read, or a movie you’ve watched, that would work way better for you, if it just followed a different character?


Character Perspective: Jerk is in the Eye of the Beholder — Kimia WoodKimia Wood lives somewhere in the American Midwest with her family – including the brother people mistake for her girlfriend.

She’s bracing for the collapse of society by knitting, baking, writing, and other excuses for not gardening.

3 Rules for Writing Comic Strips

The comic strip world is in shambles. Back in my day, we had good comics.

Call them the “funny pages,” do you? These simple line drawings are the touch-stone of our culture!

Or – they should be…if they hadn’t been infected by lazy writers who don’t know what they’re doing.

That’s right, ladies and gentlemen: it is I, knower of everything, who have come to share exactly what is wrong with modern comic strips (that even goes for classics like Blondie whose current strips are being written by contemporary wannabe hacks)…and how anyone can produce a quality comic strip with my three easy steps.

Listen to me. After all, I know everything there is to know…and I am here to offer my gracious instruction to all you young whippersnappers.

1. Look Pretty

In the good old days, comics were nice to look at. Maybe the characters weren’t beautiful, but they weren’t a pile a squashed polygons that look like a made-in-China Picasso.

The lines were clean…the shapes were pleasing… You could tell what the backgrounds were, and what the characters were supposed to be.

3 Rules for Writing Comic Strips — Kimia Wood

Image courtesy of xkcd

Even “ugly” characters were somehow cute – or at least funny.

Minimalism is okay, too. But even simple designs can still lead the eye smoothly and give it satisfying shapes to look at.

Bottom line – in the old days, you could stare at the drawings without going blind.

You want to be a real comic strip writer? (Of course you do!) Then draw characters you wouldn’t mind hanging full-size on your wall!

If the people’s heads look like a pumpkin had an unfortunate accident with a tall building, you need some more work! If you don’t want your characters attractive, or cute…at least make their designs funny. You’re a comic strip writer.

2. Be Funny

Listen, my friend. You hold a valuable piece of our republic in your hands.

The comic pages are the one and only reason my grandpa buys a newspaper at all…and then only on Sundays…

And only for Sherman’s Lagoon.

You’re not competing with paint drying, you know. Put in a little effort! Do you want your character’s face used to light the fire in the morning?

Or do you want to hang on the bulletin board at work, for all the coworkers to see?

3 Rules for Writing Comic Strips — Kimia Wood

Image credit: ComicsKingdom

Trust me, your fellow comic writers are scraping the bottom of the barrel. (The next person to invent a fresh joke about Black Friday sales is getting the Pulitzer.) You don’t have to reach that far above them.

We all get that social media is a thing, now. Unless you have a really, truly unique gag about that inane fact (or about wives dissing their husbands, or kids whining about school, or any of the other tired, boring stereotypes) then just leave it alone.

Make your characters do interesting things. Force them to say interesting things.

If they’re just floating aimlessly across the page – nobody is going to care.

I don’t! And I am the gold standard for everything. (I also know everything, in case you’ve forgotten.)

There are loads of hilarious things in the world! Use some of them! Like the time our goat got so snarled around a tree with her cable that she literally got her hoof stuck in her collar.

Yeah, I just had to chuckle while I was untangling her.

Be the strip we tape to the bathroom mirror so we can wake up happy. Don’t be the strip that we read – and then feel absolutely nothing.

3. Aim for Timelessness

I don’t think I’ve said this part yet, so let me be clear:

You’re writing a comic strip.

This is not your personal editorial column, or your MySpace page. (Though if you can’t get published anywhere but MySpace…there might be a reason for that?)

By the way, no reason but I saw this hilarious comic strip skewering President Ford the other day. I can’t decide if that, or the one mocking Caesar Augustus, is my favorite –

Said no one ever!

Look. Shakespeare made bank with Julius Caesar because he tapped into the emotions of pride, jealousy, and betrayal that span all humanity.

Hamlet is still performed because it speaks to the doubts and longings common to our shared human experience…not because the Danish royal court is “relevant” or anything.

Yes I just compared Shakespeare to comic strips no I’m not sorry.

Sure, everyone else calls you the “funny pages” and uses you for a coffee mug coaster. Is that who you want to be?

Close your eyes and imagine five years from now…ten years from now… You’re holding the anniversary collection of your strip in your hands.

Are all the jokes lame and nonsensical because you’re mocking political figures that ran out their terms of office before your kids were born?

Who’s going to be laughing then?

No one! That’s who!

And your job is to be funny, for Calvin’s sake. (Calvin and Hobbes, of course.)

If no one will be interested in buying hardcover collector’s edition books of your strips because they’ll be meaningless after the next election cycle – think about that for a moment.

Crafting the Perfect Comic Strip

My time as your muse is drawing to a close. Just remember these three crucial points:

  1. Draw pictures you can enjoy looking at…staring at…and coming back to.
  2. Write plots and dialogue that actually get a chuckle. Or a wry grin. Or an appreciative snort.
  3. Dig deeper, aim higher, and create something people will come back to again, and again…and again, to read to their kids.

Unless, of course, you’re just here to make sure Frazz still has newspapers to distribute his genius.

In that case, I bow to your sacrificial support of the greater good.


3 Rules for Writing Comic Strips — Kimia WoodKimia Wood currently lives somewhere in the American Midwest with her family…including the brother people mistake for her boyfriend.

She’s bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for periodic updates on her latest reading and writing exploits. You’ll also receive a FREE e-copy of her post-apocalyptic adventure novella Soldier!

Publish Your Book on Amazon (For People Who Hate Computers)

So you want to publish a book on Amazon…but have no idea how?

Don’t worry! It’s super easy!

TL;DR:Publish Your Book on Amazon (For People Who Hate Computers) — Kimia Wood

1) Go to this link: https://kdp.amazon.com/

2) Sign in with your Amazon password.

3) Follow the prompts and read the instructions!

4) Check out Amazon’s “how to” posts for more information, or if you get stuck.

Do you want more detailed instructions? Well, for those who hate the internet, and just want someone to spell everything out ahead of time, read on!

Whether you want to publish your grandpa’s memoir…your husband’s hobby novel…a family history…a fan-fiction — if your only goal is getting it on Amazon so your second cousins in Alaska can order their own copies – this is the place for you!

(Info on plotting / writing / editing / revising / re-plotting / polishing / revising / editing / marketing / selling a book or novel is beyond the scope of this post.) Continue reading

Why “Avatar: The Last Airbender” Was Good—But Not Great

A friend of mine recently watched Avatar: The Last Airbender, and says it has become her favorite show ever…by a good margin.

Why "Avatar: The Last Airbender" Was Good—But Not Great — Kimia Wood

Image credit: CartoonsOn.tv

And…nah.

It was good, I’ll grant you…but it wasn’t THE CRUX AND APOTHEOSIS OF ALL GOOD WRITING AND THE PEAK OF ENTERTAINMENT. (And my brother gripes about this show way more than I do.)

You can read my full review to get all my initial thoughts, but I think the basic element that held this show back was:

KID VS. GROWN-UP CHARACTERS

You might be thinking, “But it’s a kids’ show! All the principle characters are kids!”

I’m not talking age. I’m talking maturity.

And while it’s understandable (and almost expected) for characters to start with some immaturity (especially young characters), it should be something they grow out of. The plot should force them to develop.

It shouldn’t be celebrated. Continue reading

Best Articles You Shouldn’t Miss

I love Twitter for all the cool articles I can find and share there. So I dug back through my feed for the best articles, posts, and videos I found and shared this past year!

Whether you’re an author, a blogger, or just a Christian who likes thinking deeply about things, here are some cool (and/or important) pieces for you to enjoy!

Writing and Story DevelopmentBest Articles You Shouldn't Miss — Kimia Wood

This year I fell down the deep, dark hole of “writer YouTube”…Here are some of the amazing (and addicting) videos I found:

Former CIA Chief of Disguise Breaks Down 30 Spy Scenes From Film & TV

via WIRED

I found this video while researching my spy/suspense/action story Transmutation of Shadow, and it’s so cool!

Trope Talk: Robots

via Overly Sarcastic Productions

Red does a great job recognizing that humans and computers have totally different ways of thinking…and she also breaks down the good, the evil, the friendly, and the realistic of writing robots in fiction.

Rey and the Sad Devolution of the Female Character

via Thor Skywalker

We don’t hate female characters…we hate poorly done characters that serve a meta agenda, rather than feeling like genuine people within the story world.

Watch the video to see for yourself!

(Also check out this video – by Literature Devil – about “Mary Sue” characters…what they are, why people dislike them, and how they relate to the issue of “Social Justice Warriors”.)

A Few Words from Roger Zelazny

via on Tor.com

Roger Zelazny wrote the Chronicles of Amber, which inspired my dad as a young writer…and became a surprise favorite with me when I read it. This interview with him gives insight into his writing process, his opinion of fantasy vs. science fiction, and on writing complex characters.

It’s not a video…so read it at your leisure.

Action Choreography for Novels

via Felix the Fox Mysteries

Action plays a big role in my White Mesa Chronicles (especially Gladiator…guess why) and in Transmutation of Shadow. Thus it’s important to get the physics right!

This post (also not a video) will help you think about those pesky problems of what’s actually, physically possible in your story!

Also check out his post on making pre-modern (and fantasy) battles more realistic in terms of equipment, technique, and strategy. Remember: everything happens in context!

The Elevator Pitch

via Christa MacDonald on Christian Shelf-Esteem

If you’ve been in the “author” circle for long, you’ve heard you need an “elevator pitch”…a short, pithy expression of your book(s) that would fit into the space of an elevator ride, but make whoever’s listening want to hear more.

Christa MacDonald found she was making assumptions about what the people she was talking to would be interested in, and defending her work before anyone had raised any objections.

Read her post to see how she decided to let go of this fear rooted in pride, and share her stories at face value.

Worldview

Best Articles You Shouldn't Miss — Kimia Wood

Photo by Oliver Roos on Unsplash

How we think about the world is crucial…and our different perspectives form a central part of who we are.

Each of these articles (or videos) explores a different element of our lives and challenges us to think about morality, culture, art, ourselves, and/or God in a different light.

Enriching Lives – What Mass Effect 2 Teaches Us about Morality

via Extra Credits

Extra Credits create entertaining, thought-provoking videos about video games…how to make them well, how to tell meaningful stories through them, what they can mean for the broader culture, etc.

This one talks about how video games can force us to examine our own moral beliefs!

Artistic Originality: Is It Dead—or Was it Merely a Fallacy to Begin With?

via Sean P. Carlin

In our cultural climate of reboots, sequels, prequels, reboot-sequels…Mr. Carlin has asked the question, “What is artistic originality anyway?”

Can we ever truly be free of our creative influences, and make “original” art?

Read his article to find out!

Also check out his article about his childhood of urban exploration in New York City, and how our shifting culture of security-consciousness makes that impossible for kids of the modern day. We’ve lost something…is it worth the price of “safety” to give up?

Read his piece and decide for yourself!

How Virtual Horse Armor Paved the Way for Micro-Transactions

via Cheddar

Micro-transactions are all over the place in free-to-play games…sort of like YouTube has started shoving ads in my face every time I want to load a video.

This video (on YouTube…ahem) talks about how it started…and why micro-transactions that affect game-play make players more unhappy than things that affect aesthetics.

How Our Addiction to FREE is Poisoning the Internet and Killing the Creatives

via Kristen Lamb

This post was so interesting, I even wrote my own follow-up piece.

Basically: we all love free stuff. Getting free stuff, that is. But nothing is free…someone has to give it. And as authors give away more free stuff (books, songs, etc.) the more audiences expect free stuff, and the worse the whole problem gets.

Just go read her full post – then read my post about living generously!

(Also read her post about the flood of new books that self-publishing has created, and some strategies that we as an industry could use to find the “good fish” amidst the tsunami. Basically, go check out her blog in general.)

My Son Was Addicted to a Smartphone

via Sabrina McDonald on Family Life

Yes, smartphone addiction is a thing, and yes, you can confront it. In fact, before drugging your kid up for ADHD, look into culling his screen time! It might be the trick you need.

YouTube: Manufacturing Authenticity (For Fun and Profit!)

via Lindsey Ellis

Having become, ahem, slightly addicted to YouTube this year, I naturally found channels/content providers that I liked and looked up all their videos.

However, as an author and blogger, I also have a feeling for the other side (people all over the world aren’t watching my face, but they can look up my words at any time).

When the wall between “media celebrity” and audience comes down…when your favorite YouTuber or author “gets real” and shares personal things…what does that do to them? What does it do to us? What are the “moral hazards” of this “authentic celebrity” culture?

If you’re not sure exactly what I mean, just watch the video! It’s thought-provoking! (Language cautions, though.)

Christian Fiction Guidelines

via Chad Pettit

Did you know that some “Christian” readers have very specific guide-lines for what they consider to be “Christian” fiction? And that they’ll rake authors over the internet coals if they break these rules?

Perhaps we should go back to the BIBLE for a consideration of what we should be reading/writing in our fiction…and maybe we can extend some Christian kindness to our brothers and sisters.

This post is a plea for just that. Read it yourself!

A Tale of Two Worldviews

via Scott Allen at WORLD Magazine

Ta-Nehisi Coates versus Martin Luther King, Jr. — two African-American thought leaders with very different approaches to the race issue. Justice and reconciliation will only come from a Jesus-centered worldview.

MarketingBest Articles You Shouldn't Miss — Kimia Wood

We authors are always looking for ways to better get books into readers’ hands. Here are some of the useful posts I’ve found on marketing:

How To Improve Your Amazon Book Descriptions

via Jane Friedman

How do you describe your book so that someone else will want to buy it? Making the text easy to skim, and starting with a grabby line, are just a couple of the suggestions you’ll find here!

How to Improve Your Email Newsletters Right Now

via Bad Redhead Media

Email newsletters are one of those things that are so important, yet so mystifying. These tips and tricks will help you look like a pro to your fans! (Hint: STOP USING G-MAIL ALREADY.)

How to Write for a Blog: 10 Tips for Writing Strong Web Content

via Anne R. Allen

Writing a blog post is different than writing a term paper. Here are some easily digestible, understandable tips to help anyone write a better blog!

Blogger + Author Interaction Etiquette Survey Responses: Answers from the Book Bloggers’ Perspectives (2019)

via Vicky Who Reads

200+ bloggers were surveyed (anonymously) about how they want authors to interact with them. I found some of the answers very interesting, and it’s worth it to check out someone else’s perspective.

The Eternally Clickable Headlines of Buffer (And How to Write and Find Your Own)

via Buffer

Blog post headlines are mysterious, but very important. Here’s some advice that is readable and digestible to make your blog headlines even better!

Six Reasons Nobody Reads Your Blog and How to Fix It

via Mixtus Media

You say you could never write a blog? That it’s too complicated, or too hard?

These six tips might just give you the tools and the steps you need to become a blogger (or to take your blog to a more professional level)!

Hope you enjoyed these posts!

Be sure to share the posts you liked best with your friends, and support the authors!

What did you enjoy learning this past year? What were your favorite things to read? Give us your suggestions!


Best Articles You Shouldn't Miss — Kimia WoodKimia Wood lives somewhere in the American Midwest with her family – including the brother people mistake for her boyfriend.

She’s currently bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates on her latest reading and writing adventures.

Chapter 1—Ralph Roister-Doister Meets Zombies

November is National Novel Writers’ Month…better known as NaNoWriMo!

The goal is to write 50,000 words in 30 days…but this year, instead of writing one cohesive novel, my dad, brother, and I are writing 30ish scenes from different story ideas. Or as we like to call it, Thirty “First Chapters”. (Keep track of my progress on my profile here.)

Here’s what I wrote yesterday. Can you imagine the story that might follow it? What twists might be in store?


Chapter 1—Ralph Royster-Doyster Meets Zombies — Kimia Wood

Image from Pixabay

Ralph ran.

High school was bad enough – what with grades, and college applications, and girls that didn’t like you, and friends who were all trying to figure it out at the same time – but now things were chaos.

The Algebra 1 teacher – plus a bunch of freshmen – had charged into the cafeteria and started biting people. Mr. Morgan of the History department and Ms. Chambers of Social Studies had barricaded a bunch of students into the auditorium until the police could show up…but Ralph was not one of those students.

He’d just missed the closing of the doors, screamed while they piled chairs and tables on the other side, and then kept running as the crowd of bleeding, howling students charged down the hall.

His phone had been in his locker, so he couldn’t even call his mom to come pick him up…or to tell her to stay far away!

Ralph’s dad would be at the office, but that was all the way downtown…could he even get there without a car?

One or two of the crazies in the cafeteria had been strangers…just where was this coming from? How big was this? Would he be safe downtown? Or should he head into the suburbs, where there wouldn’t be so many people?

Ralph dropped to a seat on a curb, wheezing. So this was what came of joining the choir club, not the football team. He’d thought he would just avoid getting crushed by those crazy three-hundred-pound tackle-guys.

Apparently he was going to have a heart attack and die being chewed on by crazies.

A howl came up the street.

Ralph shivered and jumped up. Two white-eyed figures were stumbling up the street — the first one had blood streaming from a bite wound on her neck. The second had torn clothes, and no left arm.

Fighting the urge to hurl, Ralph got back to running.

The neighborhood around his high school was really nice. Some of these houses had wrought iron fences around them, and gates on the front doors and good alarms systems.

Finding a low curb that ran underneath one of the fences, he grabbed the top rung and levered himself up.

There was nothing for his feet to catch on. As he scrabbled at the vertical iron bars, more howls came from two different directions. He didn’t dare look for the freaky creatures who would be coming.

Ralph’s sneaker slid on the metal, then lodged between two bars. Great…now he was stuck half-way up a fence, and being hunted by crazy zombie-freaks!

“Thank goodness, man.”

Ralph twisted his head to look around, trying not to impale himself on the fence.

Grant (his lab partner in fourth period Chemistry) dashed up and grabbed his stuck foot.

“What are you doing here?” gasped Ralph.

“Great minds think alike, buddy. Inside the fence is better than outside.”

Grant grabbed both Ralph’s feet and shoved upward. Now with more leverage, Ralph could swing himself up until he was balanced on top of the fence.

He shoved one foot onto the support bar that topped the fence – then the other foot.

“Come on,” he said, putting one hand down. He tightened his grip on the ironwork. “Don’t get stabbed on the spikes, okay?”

Grant took his hand, grabbed the top of the fence with his other hand, and jumped.

Ralph hauled upward – Grant’s foot found the top support bar – and they both jumped clear on the inside of the fence.

As they rolled in the grass, groaning, a thunder of footsteps came up the sidewalk.

White-eyed crazies – at least five of them – pounded on the fence, moaning and howling. Their arms started to bleed as they shoved them through the rough metal bars…but they didn’t seem to notice at all. In fact, their blood hardly seemed to run —

“Let’s get out of here,” said Grant.

They both scrambled to their feet and headed for the house.

Ralph found it impossible to run, now – and it seemed Grant had the same problem. They staggered along in a half-jog, panting.

As they came to the front of the house, Ralph glanced up the driveway.

“Well, I feel stupid now,” he said. “The gate’s open.”

“Shoot,” said Grant. “You go close it while I try to alert the people at home.”

The last thing Ralph wanted to do was to near the street again…but with the gate standing open like that, the fence wasn’t doing much good. Besides, all the zombies seemed clustered where he and Grant had jumped the fence…so hopefully it wouldn’t be too dangerous.

He trotted down the driveway and grabbed the big rolling gate to push it closed.

It wouldn’t budge.

Breathing heavily, Ralph looked over the mechanism. Maybe there was a button to close it automatically? Maybe if he pushed a little harder…?

He braced his foot against a bar of the fence and shoved. Nothing happened. He shifted his leverage, readjusting his weight, and shoved again.

Nothing.

He ran to the other side of the gate. There didn’t seem to be any button or control box there, either.

And there were some staggering figures on the corner that looked like they might be zombies…and he sure didn’t want to attract their attention.

Ralph snuck back to the front door, staying low and moving as quickly as he could.

“It’s got an automatic mechanism,” he said as he came up to Grant. “And I can’t budge it.”

“Well, no one’s answering the door,” said Grant. “So we’ve got to do something.”

“If we can call my dad and tell him where we are, he can come get us,” said Ralph. “Let’s try to find a phone.”

“Yeah…so much for not having phones in class,” said Grant. “This is exactly why we should always have them on us.”

“I don’t think our teachers expected this to ever happen,” mumbled Ralph as they started walking around the house.

They found a side door — inside they could see a kitchen, but it was locked, and no one answered their pounding.

Along the back side of the house were steps that led to a second-story balcony. They climbed the steps and looked for a door that wasn’t locked.

The second door they tried opened into a bedroom. A four-poster bed with pink covers and curtains stood along one side, while a pink vanity covered with lacy, rhinestone-crusted little boxes stood opposite it.

A white wardrobe stood near the bed – the sort of thing Ralph’s mom might call an “armoire.”

“There’s a phone,” said Ralph. “I’ll call my dad. We’d better find if there’s anybody else here and warn them.”

“Yeah – with that gate open, it won’t be long until they’re invaded,” said Grant, and headed for the door.

Ralph dialed his dad’s office…but no one answered. He called home…but no one answered there, either.

He tried his mom’s cell phone…but she was always forgetting to charge it, or leaving it in weird places, or sending it through the washing machine…

He dialed his dad’s cell phone. Dad’s cell number was only for emergencies, since he might be in a meeting or something –

No one answered that number, either.

Ralph swallowed. He twisted the handset in his hands for a moment. The calls were going through – so it wasn’t this phone, or the phone lines, that were bad.

He went to dial 9-1-1.

Shrill voices came down the hall. The bedroom door burst open, and Grant staggered into the room – followed by a grey-haired lady in a little black-and-white maid’s outfit.

Did people really still wear those things? Well, apparently so –

“Out!” shrilled the old maid, smacking Grant with a feather duster. “Youngsters! That’s the trouble with the world these days –”

“But there are crazies out there!” yelped Ralph. “Zombies and monsters! They tore up our school, and I can’t get a hold of my parents, and –”

“You’re no better than burglars,” snapped a young woman, also in a maid’s outfit, coming into the room. “You should be grateful I’m not calling the police on you.”

“I wish you would!” said Ralph. “In fact, I’m calling the police right now! We need help. In fact, you need to close your gate right now –!”

“Oh, we’ll close the gate. As soon as we march you ruffians off the premises.”

Whack! Grant got another blow from the feather duster.

“You’re crazy,” said Ralph. “You can’t be serious. There are man-eating, howling zombie-beasts out there, and you’re going to –”

The young maid flourished a short-handled broom and swung it.

“Ow,” wailed Ralph, cradling his ear.

“We might be safer out there, man,” panted Grant, ducking another swing from the feather duster and heading for the door to the balcony.

“Are you out of your mind?” cried Ralph, covering his head with his arms as he followed. “They’re biting people out there! One guy lost an arm. Mr. Hernandez was straight-up chewing that girl’s face off.”

Smack! The broom caught him across the shoulders, and he jumped with a yelp.

“Move faster, you little hooligan,” said the old maid.

Grant and Ralph ducked out onto the balcony and started toward the steps they came up – pursued by the two maids.

As they made their way down the steps, a moaning and banging came from the front of the house.

Grant and Ralph exchanged the curse word they knew – they howled as the two maids beaned them on the heads.

“They found their way through the gate,” whimpered Ralph.

“We have to get inside fast!” panted Grant.

“Nice try, little imps,” said the old maid. “I know your type. If it was up to me, I’d give you a –”

They never found out what she would give them. It was drowned out by the howling as a group of the crazies rounded the corner of the house and spotted them.

The crowd (herd? pack?) surged forward and up the steps.

Grant and Ralph spun around and charged up the stairs, taking the maids with them.

Everything was banging elbows, stomping feet, clawing, pounding from the broomstick, and the sharp, fiery pain of human teeth.

Ralph broke free of the tangle and ran. He yanked a door open and kept running.

He charged through the bedroom, down a hall, and into a closet. Someone (or something) was following him, clinging to him as his leg smarted – but he slammed the closet door on it until it let go.

Shaking in his hands, his legs, and everywhere, he twisted the doorknob and leaned backward to hold it closed.

Screams, thumps, and bangs came from outside. Maybe the two Maids from Hell were beating the tar out of the crazies. Maybe Grant had made it inside, and was looking for a hiding place, too.

Ralph remembered the auditorium. He remembered the door slammed in his face, and the rattle and crash of furniture piling up against him.

A weight fell against the closet door, and a howl shook the wood paneling and the cold metal knob under Ralph’s hands.

He choked on a swallow and braced himself against the doorframe…determined to let nothing in.

Nothing at all.

He had no way to measure time in the pitch blackness. Finally, the screams died down. Even the clomping of feet and moans died down.

Crashes sounded in the distance, and then those went away, as well. Sirens wailed on the edge of hearing.

Ralph’s leg throbbed, and his shoulders and arms ached. One wrist stung. He couldn’t stay here forever.

Easing the door open a crack, he snuck a peek at the corridor.

A patch of blood stained the carpet, but that was all.

Good thing the carpet was pink. Maybe it would clean up okay.

Ralph opened the door the rest of the way and tip-toed forward. Pain flared in his calf, and he crouched to examine it.

The light from the windows was a rosy purple. What time was it? Where was everyone?

He dragged his pant-leg up and twisted to see his leg.

Clear, bloody teeth marks showed in his calf – already swollen and red. He’d better get that cleaned and wrapped up.

There was another bite on his forearm. That one didn’t look as deep, but there was more blood because the attacker had scraped a bunch of skin off.

Ralph held his breath to fight the urge to puke, and limped down the hall, looking for a bathroom.

He found one a few doors down, and slipped inside.

It was empty of people, too – like the rest of the house – and he washed his wounds and wrapped them in some towels he found. He tied the towels down with ace bandages, then ventured out into the house again.

Coming to the bedroom, he looked around. The glass doors had been smashed, and the vanity had been knocked over. He went to the phone, but it had been ripped out of the wall.

He tip-toed onto the balcony to see if anyone was nearby.

For all the blood and…ick…around, there were no bodies.

Well, there was one figure in the yard below. It wore a torn maid’s dress, and wandered back and forth between a couple trees…moaning softly.

The sun was setting behind the trees, and dusk was gathering under the leaves.

Ralph stepped backward into the house.

Someone was coming down the hallway.

Stomach twisting, Ralph knelt behind the bed – his injuries smarting as he did so.

Someone stumbled into the room – Grant.

Before Ralph could get his name to his lips, he saw the bite marks covering Grant’s arms…and the blood streaming from his missing ear.

Grant looked at him — his eyes were white and glassy and empty.

Grant snarled and lurched forward, arms out to grab.

Ralph snatched the first thing his hands found – it was the short-handled broom – and smacked Grant in the face.

Grant growled and lunged again.

Ralph jabbed him in the stomach, then in the mouth, then kicked him in the chest so that Grant sprawled backward onto the floor.

Ralph jumped onto the bed, then grabbed the top of the armoire. He couldn’t quite get on top of it – but his weight unbalanced it, and it started to tip.

As Grant was howling and trying to get up, Ralph leaped off the top of the armoire, falling onto the bed.

As he bounced gently on the overstuffed mattress, the armoire crashed onto the top of Grant.

Grant squirmed and growled, wiggling to try to get free.

Ralph got off the bed on the opposite side, and headed for the door to the hall.

There had to be a car here somewhere – and keys. Even if he hadn’t passed driver’s ed yet, he was in no condition to be walking the streets.

Why wasn’t he like the others? Why hadn’t his bites make him crazy?

Maybe he wasn’t injured badly enough? Maybe he would turn when he died? But all the zombie books said that when you got bit, you turned…either in about five minutes, or at least in a week or two.

He shivered. He didn’t want to end up like that. No one did.

But as long as he was still himself, and didn’t feel a hungering for human flesh or anything weird like that, he would try to stay alive.

As he crept through the darkened house, searching for the attached garage it surely had, he thought back to that morning, when his only worry was the Spanish test.

Which he’d probably missed by several hours.

So he was going to die and flunk Spanish. Great.


Chapter 1—Ralph Royster-Doyster Meets Zombies — Kimia WoodKimia Wood currently lives somewhere in the American Midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates on her latest reading and writing adventures.

Living Generously—Combating Our Addiction to Free

Living Generously—Combating Our Addiction to Free — Kimia Wood

Image courtesy of Author Kristen Lamb

I love free stuff. I can’t count the number of free ebooks I have on my computer, and I’m notorious for collecting free leftover food for our chickens.

But maybe enough is enough.

It all started when I read these posts from Kristen Lamb, who blogs about writing, the author business, and having a mentality to succeed. You should really read her posts to get the full impact of her arguments – “How Free is Poisoning the Internet and Killing the Creatives” and “Welcome to the Matrix: You Work For Free and There Is No Payday”, along with others, I’m sure – but here’s the gist…

Savvy Businessman Meets Idealistic Creative

She outlines how content providers (middlemen like Amazon, Apple, Huffington Post, and others) get content from the producers (authors write books and articles; performers give shows; singers produce songs) and offer that content to consumers (the mass public).

Consumers love entertainment, articles, music, etc. The businesses in the middle get paid by advertisers, so they offer a lot of content for Free.

Consumers love Free. I love free. Most of my news or research is found for free online. I love free music, and I love free books.

The sticky part comes in when the actual creators of the work need to be paid.

The Payment Model

Living Generously—Combating Our Addiction to Free — Kimia Wood

Kitty death glare…

Mrs. Lamb says the modern market is operating on an outdated model. Used to be, young, inexperienced authors/actors/singers worked internships for little or nothing…to build bridges, get their name out, and hone their skills.

What makes Mrs. Lamb see red is asking experienced, professional, and high-quality producers to do the same thing.

The Huffington Post is her whipping boy, because they openly make millions from ad revenue, but don’t pay any of their contributors for the content they place on their site. (Smart business move for them…bad deal for the writers.)

Remember: I love free articles. But I agree that making authors feel like the site is doing them a favor by using their content (without paying them to use it) is under-handed.

The Vicious Cycle

Read Mrs. Lamb’s full posts…they’re long, but there are more examples in there:

  • Performers expected to do their show pro bono at a conference because someone famous is hosting.
  • Speakers invited to workshops, but not even offered enough money to cover traveling and food expenses (because she’s supposed to teleport there, I guess).
  • Authors down-rated in a review because their debut book isn’t free, even though they’re a new author (it’s in one of the comments, but I don’t remember where).

Mrs. Lamb’s solution is author organization: authors as a body saying, “Our work is worth something, or you wouldn’t be making such a killing with it. We’re done handing it out for free; we have kids to feed and college to pay for the same as you.”

If you liked it, you should have put a ring on it

Addicted to Free

Once these articles opened my eyes, I started seeing this in other places around us. Our culture really is addicted to free…from free healthcare to free rent to free food to free education.

But generalities are hard to grasp. Let me zoom in the lens.

  • “Kelly” (our foster kids’ mom) got free rent from the state. She and her kids never picked up their wrappers, never cleaned (I’m not sure they did laundry), and didn’t know how to cook. Every time her apartment got too roach-ridden, she would move…without warning the landlord, or even bothering to pack her stuff. It was mostly all hand-outs, anyway. She never paid for any of it, so she didn’t value it.
  • A recent customer at my day job took down forty bolts of fabric to look at. Five minutes before closing. At the manager’s subtle disbelief, the customer displayed no remorse, blamed the whole thing on her daughter, acted oblivious to all the work she was putting others to, and left with her purchase without so much as a “Sorry for making such a mess” or “I’ll help put these back”. The associates were left putting away fabric for ten minutes after closing time. The lady didn’t have to pick them up, so she didn’t care (or maybe didn’t even notice)…”Entitled” is the word someone used.

We’re so disconnected from where things come from, that we don’t value them. I’m super glad I don’t have to butcher my own chickens for my casserole, or fatten my own pig for my ham…but when we don’t pay for anything with our own, hard-earned money, we don’t value it so much.

Let’s Go From Preaching to Meddling

Healthcare. I think my country’s healthcare is pretty good. At the very least, we can walk into the MRI clinic in my hometown and be served…without having to wait ten weeks like in Canada!

State-funded healthcare is just another example of how consumers have been programed to expect everything to be given to them. Even when co-pays or private clinics outside the system could help everyone seeking healthcare, we can’t imagine dipping into our own pockets for a doctor’s visit.

Living Generously

This whole issue lines up with some other things God has been teaching us recently.

A few weeks ago, our washing machine broke…and so did our dryer, the truck’s tire, and the furnace.

I started thinking, “I wonder how God’s going to provide the money for all this?”

After it was resolved, I realized, “He might have just said: You don’t need a washing machine right now.”

Let’s face it: I live a pretty cushy life. There’s a lot around here that I don’t exactly need.

But I’ve been given so much. How can I live in such a way that I hold it with an open hand?

I’m not talking about “Oh, I’m going to give X amount to charity now, because I read a sob story and feel bad about being well off.”

No. I mean a lifestyle change, an attitude change…a Holy Spirit-fueled change!

Generous on Whose Part?

So, yes, God wants us to “give what we’ve decided in our hearts, freely and without coercion” (Kimia’s paraphrase of 2 Cor. 9:7).

But He also said this part:

Let the elders who rule well be considered worthy of double honor, especially those who labor in preaching and teaching. For the Scripture says, “You shall not muzzle an ox when it treads out the grain,” and, “The laborer deserves his wages.”

—1 Tim. 5: 17-18 (ESV)

The worker is worth his pay.

The definition of “slavery” is “working, under coercion, without getting paid.” Now, there are different ways of being paid:

  • You perform your songs because it’s fun, so the experience and just having an audience are the reward.
  • You send a copy of your book to a beta reader/critique reader in exchange for feedback. Helping you grow as a writer is how they repay you.
  • You believe in helping fatherless children, so you volunteer your time as a mentor. That’s supporting something you believe in.
  • You write because you love the act of writing, and you publish on Amazon because you want to order yourself copies and just hold that gorgeous baby in your hands.
  • You love your mother and help her with chores because she needs the help, and of course you would help her.

All these are perfectly valid and worthwhile elements. But notice that every single one of them is a decision you made about your work and your compensation.

You didn’t say anything about me and my books. That’s not something you have the right to decide.

Bringing It Full Circle

This all started with an article about writers. If you, or I, want to give our work away for free…more power to us.

What gets Kristen Lamb livid is the “entitlement” of others who act like they deserve our labor and our product for nothing.

Like Apple’s streaming service offering consumers three months of free songs (until the musicians stood up for each other and said, “Not with our paycheck, you’re not”).

Or like a website I recently ran across where readers can request a book in order to review it (all for free)…but authors pay a monthly subscription to host their books.

I get it – websites take money to host. And a review is kind of a compensation (though the government won’t let you “give” anything “in exchange for” a review). Before I read Mrs. Lamb’s blog posts, I probably wouldn’t have thought about it.

But now it occurs to me that this is exactly upside down to how it “should” be.

In Soviet Russia, authors pay for you to read books…

Recognize the Value We Provide

Entertainment is a valuable product…otherwise, people wouldn’t be so eager to consume it. There’s nothing wrong in letting the actual creators of this product enjoy the fruits of their labor (in the form of paychecks).

“Nothing wrong”? How about: “It’d be a good thing”!

(Obviously, if nobody wants to read Joe Someone’s book, that’s not our problem. We shouldn’t pay for t-shirts we don’t even own! But if everyone is crazy about Joe’s book, then we should totally pay Joe for his book – and not get it off that piracy site instead!)

Living Generously—Combating Our Addiction to Free — Kimia WoodNot only will paying for things benefit our attitude, but they might even lead to more content.

If authors and entertainers work their butts off but never get enough money to put food on the table, eventually some of them (if not most of them) will give up and do something else. Imagine a world without TV shows, movies, or new books and songs…

However, if we “vote with our money” on the stories and artists we like the most, that will encourage those creators to make even more content! Like a series of books? Writing the author an encouraging note never hurts…but monetary incentive wouldn’t be misplaced, either 🙂

Let the Change Affect Me

Well, all these elements started me on some hard decisions. To live more deliberately, and more generously, I’m going to consider some changes:

Towards Other People

  • If I like a song enough to look up the music video on YouTube…maybe I also like it enough to actually buy it from the actual artist? (Or even buy the whole CD?!?)
  • If I enjoy a free book and want to support the author, maybe I can do more than write a review…maybe I can buy one of their other books and read it, too?

Towards My Own Work

  • I work hard on my projects, and it shows in their quality. Even though I’m content for my writing to not be my main income, I don’t want to feed this vicious cycle.
  • Giving my work away for free trains people to crave FREE FREE FREE. It reinforces the whole paradigm we struggled with above. And I’m no longer convinced it gets more people to actually read my work.
  • It breaks my heart to charge for my work, because I know how much I love FREE and don’t want to be a hypocrite. But I also don’t want to be part of the further degradation of the market as a whole.
  • Besides, I think I personally have reached the point of Decreasing Marginal Returns with free ebooks. Used to be, I snapped them up left and right. Now, it’s no longer an automatic “Add to Cart”…probably because I’ve decided I should actually read them if I get them.
  • Finally…MY BOOKS ARE WORTH IT! The written word is a subjective product (unlike, say, a t-shirt), but I’ve gotten enough feedback from enough different people that it’s not just me talking…I’M A GOOD WRITER. And there’s no shame in charging money for my product!

And maybe, just maybe, charging money will make any reader who takes a chance on me value my books more than they otherwise would.

Maybe they’ll read them…and review them…and tell all their friends…and have fun in the worlds I’ve created.

Will the Change Affect You?

This isn’t just about how much I love free stuff. This is about acknowledging the value of people’s time and labor.

This is about valuing one another…being grateful for what we have…and generously saying, “I don’t need all this.”

What hard decisions will you be led to? How can you “live generously” in a world driven by FREE?

Will you take a hard look at the costs of our culture…and dare to do something about your part of it? (Not someone else’s part – yours.)


Living Generously—Combating Our Addiction to Free — Kimia WoodKimia Wood was raised by an aspiring novelist, so spinning words and weaving plots is in her blood.

She currently lives somewhere in the American midwest, bracing for the collapse of society by knitting, baking, gaming, writing, hobby-farming…and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! (Yeah, I know…it’s still free.) You’ll also receive occasional updates on her latest reading and writing adventures.

Or visit the book page to see what cool new stuff she’s working on!

Author Newsletters–A Survey

Author Newsletters–A Survey — Kimia Wood

Blank stares do not equal book sales…

Marketing gurus will advise you to have an author newsletter. This keeps your fans engaged with your brand, updated on your latest works, and excited about your books.

Supposedly. But does it actually work?

I have no experience being a successful newsletter author. But I am a pretty experienced newsletter reader. So I thought I would go through the many newsletters I myself am subscribed to, and consider the elements of each.

What makes me more engaged with an author and their books? What turns me off? Well, fortunately I never delete my emails, because I was able to wade through several years’ worth of other authors’ newsletters, and draw some conclusions about my own habits.

This is obviously very personalized, but I think we can draw a couple broad lessons from this research:

TL;DR: Three Lessons to Keep in Mind

1) Giving away free stuff is an awesome pull to make people sign up, but it doesn’t necessarily translate to sales.

For years, I’ve been told that giving away a free book to people who sign up for your list is one of the best tricks in the business, and “the number one way to build your subscriber list”. But is this true?

I was pretty convicted by something Barb Drozdowich said in a recent #BookMarketingChat (on Twitter):


I know this is true, because it’s true of me. If you offer me free food, free t-shirt, free books, I’ll love it…but I get angry when people charge more that four or five dollars for an ebook. (Seriously…some people charge as much as ten dollars for an ebook novel. What insanity is that?!)

So, while you/we might get lots of “numbers” on our list with a strategy of bribery, are we attracting the clientele that will want to buy? Or do we have a strategy to convert the freebie-seekers into devoted, paying customers?

2) Personal rapport can make or break a brand.

Kristen Lamb can tell you that your “brand” is just how people view you and your product – or, the emotional reaction they have when they see your name.

McDonalds. Steven King. Doctor Strange.

I bet just those simple words communicate a lot, and you have some kind of emotional reaction to each one.

When you go on social media, your blog, your website, etc., people watch you. Maybe one day you snap at someone on Facebook…People see that. Even if you were stressed out that day, and aren’t normally rude like that, and the guy totally deserved it anyway – that single instance might form a large percentage of someone’s perception of you.

You’ll see below that I subscribed to some of these author lists because I “met” the author in some other context, liked who I perceived them to be, and wanted to give them that support (and stay in the loop about their projects).

For a couple other authors, their personality or their writing are so far from my cup of tea that I will never give them my business.

Not anybody’s fault, really. We just “aren’t made for each other.”

3) Connection is potential.

The ideal, of course, is a passionate fan who will buy all your books in hard copies (the better to treasure), tell all their friends about your books, and pounce on every newsletter hoping it contains good news about a new thing to read.

Compared to that, a lurker who sometimes, maybe opens the email and skims for pretty cover images isn’t that impressive.

But it’s a foot in the door.

You’ll notice that some of the authors below don’t send out consistent emails, or I wonder why I don’t unsubscribe because we really don’t have that much in common.

But as long as I’m still subscribed, we have a connection. It’s really depressing when only one or two people open your newsletters (and it’s your parents!) but at least there’s a chance.

Maybe one day they’ll be weeding through their inbox and say, “Oh, what is this? Maybe I’ll read it and find out…”

Or, even if an author’s normal genre isn’t for me, maybe they’ll branch out into [sci fi spy/murder mysteries with something-about-a-long-lost-brother] (fill in your own blank), and I’ll go hmmm…oooohh.

The EvidenceAuthor Newsletters–A Survey — Kimia Wood

In the following survey, I have included how I subscribed to the list, a brief summary of their brand and my relationship to them, and other details like where they host their email (hosting email on your official author domain is more professional than a free email address, just as having an official author website is more professional than just an Amazon Author Page, for example; another thing to keep in mind as we evaluate authors’ brands).

And now, if you really care to wade through the raw data…my case studies: Continue reading

Magnum, PI, Another Again

Lots of people Magnum, PI, Another Again — Kimia Woodhave talked about the repetitive, unimaginative products Hollywood has been offering us lately…and with much more analysis and detail than I could.

I just want to make a brief comment about a recent reboot that high-lights just how desperate and irrational this phobia of original concepts is.

Magnum, PI

Dad introduced us to this show as part of “pop culture” class. I also watched some episodes on my own, and enjoyed the mystery, the adventure, the detective work, and the charm of Tom Selleck.

Here’s the premise, in my own words:

Thomas Magnum, a Vietnam veteran, now works as a private investigator in Hawaii. He ostensibly works for the reclusive author Robin Masters, whose estate he lives at, and has a strained relationship with Masters’ estate caretaker, Higgins.

Higgins is an older man, a veteran of the First World War, and a straight-laced counterpoint to Magnum’s Hawaiian-shirt-wearing energy.

There. Lots of room for plot, as episodes explored Magnum’s war experiences (his two best friends served alongside him), enjoyed the tropical setting, and pitted the mirthless, proper Higgins against Magnum’s fun-loving demeanor and eclectic working schedule.

The Reboot

CBS has brought the show back – well, as an updated, readjusted form of itself.

Thomas Magnum is now a Hispanic veteran of Afghanistan. This is great. Hispanics can be good-looking, there’s no reason a Hispanic veteran wouldn’t live in Hawaii (and decide to be a PI), and the casting openly acknowledges that you can’t re-create Tom Selleck, so why try?

Just do your own thing, and do it well.

The bigger problem is that “Jonathan” Higgins has been turned into “Juliet” Higgins. As Laura Finch in WORLD Magazine put it, “I think we all know how that story ends.”

And that’s the problem.

This is “supposed” to be Magnum, PI. Part of the whole dynamic there is the conflict between Higgins and Magnum…the old man and the young man…the Brit and the American…the class act and the bend-the-rules…the suit and the Hawaiian shirt…the straight-faced professional and the emotionally-invested professional.

The bickering of two men who didn’t see eye-to-eye, and the grudging respect they gain for each other through long seasons of working together (and saving each other’s lives) was a profound and unique dynamic.

Now…there’s Magnum and Juliet.

As soon as it’s a man and a woman, you have sexual tension. That’s just how it works. A male and female can’t have the same platonic working relationship that two people of the same gender can.

The writer in WORLD already spelled it out. We can all smell where this story is heading. Even if the writers decide to toy with our expectations, and these two don’t get together, the fact that there’s this possibility turns all their interactions on their heads.

Now, a “grudging respect” might be “flirty bickering”. Juliet complaining about Magnum’s methods might be a romantic rebuttal, or an emotionally confused statement (she’s attracted, but doesn’t want to be, so it taints her professional decision-making…or vice versa) – rather than a plain statement about their different working mentalities.

(The new writers also want her to be a “strong female”, with MI6 experience and the skills to defend herself, thank you very much. Whatever, people.)

Another, Again…Except Not

Could a story about a man and a woman in antagonistic professional circumstances be compelling? Could the tale of how they bond over shared adventures and intrigue (both pulling their weight – in a masculine sense – ala Mr. Incredible and the kick-butt ElastaGirl) be entertaining and meaningful?

Sure. But it’s not the story of the original Magnum, PI.

I enjoyed the original. I enjoyed how Higgins and Magnum didn’t really like each other, thought the other one was much too ____, but still had each other’s backs in every sticky situation. It was a uniquely male dynamic, and refreshingly so.

In private, Magnum would troll Higgins, and Higgins would scold Magnum. But when bad stuff hit the fan, they put their personal relationship in the back seat, and worked together to win.

Turning one of these characters into a woman automatically makes the personal relationship a key issue. Women are much more “personal relationship” oriented than men are…and men forming relationships with women have a much harder time not making those relationships “personal” (think of the deep, innate urge to save the princess – even if she’s a jerk).

Even if Magnum and Juliet are both mature, rational adults, you can’t put a man and a woman in a room and not have tension. Further, they’re going to approach whatever problems they face from a male or a female perspective – regardless of whatever cultural, demographic, religious, philosophical, and experiential differences they might have with each other.

To pretend this new show is Magnum, PI, but to change this foundational element, is both disappointing and confusing.

I probably wouldn’t watch the new show either way, because we don’t have a television. (And my brother got more exercised about the gender-swap than I did.) But I really wanted to connect this new show to the issue I started with…the regurgitation of media.

Just do your own thing, and do it well!

What if, once upon a time, a writer had a new premise idea for a great TV show:

Tomas Colt is a Hispanic former SEAL turned private investigator, using his combat skills in the private sector. He lives on the estate of a reclusive author, and has a tense relationship with the estate’s caretaker Juliet, who doesn’t approve of his professional methods and standards.

Little does he suspect she is former MI6, and critiques his detecting and problem-solving techniques because of her own experience in the field…

Well? Why didn’t they do that?

Why did they say, “This is that exact same show you used to love, except with younger actors and good graphics…and also diversity”?

Instead of, “If you loved Magnum, PI, you’ll also love this new show that has some similar elements, but is exploring its own themes for a modern audience! Please tune in to Colt, PI!”

Why? Right when writing coaches and analysts around the internet are bemoaning the lack of originality and risk-taking in modern media…why would they take an old show, change one of its foundational tenants, and try to feed us the same old thing only more diverse?

Just do your own thing, and do it well!

I just watched a YouTube video about how the live-action Beauty and the Beast did the same thing…”fixed” non-existent problems of sexism and bigotry, and created new problems of character motivation, plot inconsistency, irrational bigotry, and emotional impact. (language cautions)

And in case you think I’m a cynic who just hates all female characters, try this YouTube video that explains we just want good female characters…and to not have the writers’ virtue-signaling meta-agenda shoved down our throats.

Sure, let’s make new stories. But let’s make new stories. And let’s be intentional about the dynamics, character motivations and interactions, and thematic assumptions that go into our stories.

Do your own thing…just do it well.


Header picture is from WORLD Magazine.

Magnum, PI, Another Again — Kimia WoodKimia Wood currently lives somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates of her latest reading and writing adventures.

Karpman Triangle or Christian Allegory?

Karpman Triangle or Christian Allegory?

I recently read a post talking about “Karpman’s drama triangle” – a theory that story characters arrange themselves into Hero, Victim, or Villain roles – and how this had a negative effect on stories and society. (It’s under Point 8.)

The post writer suggested making sure all characters had “agency” – or meaningful choice – within the story. This is important, as far as it goes…personal responsibility for actions is very important.

However, when I first heard her explain “Karpman’s drama triangle”, I said to myself, “Isn’t that exactly what we see in the Bible? Don’t stories follow this pattern so often because we’re resonating with the eternal story of creation?”

The Triangle of History

This triangle, as I understood it, talked about how someone would require rescuing, so someone else would rise to rescue him.

This is what we see in the Bible.Karpman Triangle or Christian Allegory? — Kimia Wood

We are in trouble. Deep trouble. Classic damsel-in-distress type stuff.

We (humanity) were born into a perfect world…but then the Villain struck! Yep – us, again.

(I didn’t say “Satan”, because that gives him too much cred. The world didn’t break because Satan disobeyed God…the whole universe broke because Adam disobeyed God! Thanks, Great-Granddad…)

So here we are (each individual human being), playing the Villain role (taking up arms against God and hurting things wherever we go) and the Victim role (hurting ourselves at every turn, and totally helpless to fix ourselves).

There’s nothing we can do to change this state of affairs. Nada. Trust me, humans have been trying for thousands upon thousands of years. We can’t patch up our relationship with God, and we can’t free ourselves from our own evil desires…just like addiction.

The whole human race is addicted to badness.

Enter: the Hero! Jesus. Son of God. Totally awesome, Lawful Good, and kick-butt (can I say that?!).

He humbled Himself, went through the famous “Dark Night of the Soul“, all that classic Hero stuff…literally died. Was dead for three days.

Then? Happily ever after! Jesus kicked death in the face and came alive again!

With the “dragon” slain, the “prince” “rode up on his horse” and asked the “damsel” if she would marry him!

So…will you say “I do”?

It’s not just the overarching story of salvation, either.

God cares about individual widows, too. Check out Deuteronomy 14 (yes Deuteronomy):

God is telling Israel about tithing – giving a tenth of your grain, your fruit, your wine, your produce to God so you remember that He gave you everything.

Then God tells them, every three years pile the tithe food in the middle of the city and let the widows, orphans, and foreigners (with no land inheritance, family network, etc.) eat their fill from it (Deut. 14:28-29).

See? Yes, God cares about rescuing his Church (Bride)…but He also cares about the “helpless” widows and orphans – the “victims” of unavoidable tragedy who don’t have the resources to help themselves.

He cares, and that’s why He commands His people to act as “heroes” in His name, extending aid to those worse off than ourselves.

Want an example from the New Testament? How about James 1:27? James’ theme is that talking the talk is worthless unless you walk the walk. (You say you believe in God? Super. The demons believe the same thing – and have the sense to be afraid of Him! Js. 2:19.)

That’s why James points out that God wants us to act out the faith we say we have by: being a “hero” to the “helpless”…the weak, tired, and alone. The “victims” of this sin-scorched world. (The “villain” being: ourselves again.)

Back to the Psychologists

Karpman wasn’t talking about God, though. He was a psychologist, trying to explain human relationships and human behavior through “Science!”.

And he’s right about one thing. When human beings try to mimic the role of God (Hero), we mess even that up.

Karpman and his friends called it things like “encouraging dependency”, “ignoring their own problems by focusing on helping others”, “taking advantage of the rescuer”, “perpetuating the victim’s feelings of helplessness”, and other things.

All of which is trying to turn something organic (a relationship) into something algorithmic (turning human interactions into a series of equations – which they’re not).

I think the Bible says it all much more succinctly:

So when the woman saw that the tree was good for food…she took some and ate, and gave to her husband, and he ate. And the eyes of both were opened, and they saw that they were naked. (Gen. 3: 6-7)

There is none righteous – no, not one! No one understands…no one seeks for God! (Rom. 3: 10-11)

For all have sinned, and fall short of the glory of God and are justified freely by His grace which is ours in Christ Jesus! (see Rom. 3: 21-24)

Then I saw a new heaven and a new earth… (Rev. 21: 1)

Back to the Story Authors

Karpman Triange or Christian Allegory? — Kimia Wood

Image credit: destinypedia

I think I’ve figured out why I get all swoony over the Master Chief and Zavala (and Genos!). Because they are quintessential heroes – the definitive “good guys” – and in that way they mimic my own dear King Jesus.

So, I will proudly write stories about heroes rescuing…people who need rescuing. But I agree with the original poster that “character agency” is also very important.

After all, we got ourselves in this mess. No sneaky Devil forced us off the cliff of our own desires! We raced there all on our own, because we wanted what we couldn’t possibly have: to be God.

It also makes sense that Character Agency is important because God gave it to us! When a story denies characters agency, or denies them the reality of making bad choices or choices that matter, the story falls flat…because we instinctively know it doesn’t line up with our real experiences.

God doesn’t let us write the story, though. He is the Author of this interactive, choose-your-own-adventure we call “life”! We participate, but only within the bounds that He allows (Job 1:12, 2:6).

And this is where the sovereignty of God (fancy, church-word for “God’s the boss-man”) and free-will (not-so-fancy church-word for “we get a choice”) come together and hug and all the theologians go, “But I thought you two weren’t speaking to each other!”

Yes – God is totally in charge. AND – yes, each individual human being gets a choice in how their life will go.

How does that work? God hasn’t explained in detail…probably because our brains would explode if we tried to understand.

Just trust God that it works.

And keep trying to write stories and show how FULLY AWESOME He is…because that’s what it’s all about, m’kay?


Karpman Triangle or Christian Allegory? — Kimia WoodKimia Wood currently lives somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

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