RWBY (Seasons 1-5)

"RWBY" (Seasons 1-5) — Kimia Wood

Image credit: Haruhichan.com

Color is associated with emotion.

Which is super appropriate for RWBY.

This is yet another web series that my brother raved about…and then also mourned when later seasons “went loopy.”

It’s an anime-inspired adventure of four girls training to become hero-protectors of their world, fighting the monstrous Grimm from without and human divisions from within. The title comes from the first names of the four leads, which match their associated colors (and I was so proud I figured that out on my own, without having to read the Wiki page).

TL;DR— If you like stories that make you feel, this is for you!

The Colorful Cast

Each member of Team RWBY has a dominate color that dictates their character design…and to a certain degree their personality.

Yang is bright, loud, gung-ho, and quick-tempered.

Weiss is up-tight, cold, yet rigidly determined and precise…and so earnest.

Blake is…well, worried about her inner demons.

And Ruby has a heart – as big as the moon, as warm as bathwater.

All the characters have a “gimmick.” Even if it’s not a huge deal, there’s something to make them stand out…to give us a “hook” to hold on to and remember them by.

"RWBY" (Seasons 1-5) — Kimia Wood

Image credit: Youtube

I hesitate to call them “larger than life”…but there’s definitely an emotional flair that makes these characters (all of them, even the side characters) latch onto you and not let go.

Combat…in Color

This individualism is carried over into the battles. Every single person has a personal weapon and fighting style…and a personal super-power called a “semblance” that usually informs their combat preferences.

Ruby has a scythe that’s bigger than she is, doubles as a sniper rifle, and folds up to the size of a notebook.

Weis’s style is all about precision and proper form…using her semblance of magic glyphs. Yang has wrist-mounted, punch-activated shotguns.

Everything is about jumping, flip-flopping, spinning, and using everything as a gun. It’s something you have to see for yourself.

The art style combines anime influences with a simplified feel, distinctive colors, and a feeling of momentum and energy that mixes with the magic system– you just have to see it for yourself!

The Grimm

Red-eyed creatures of darkness, the Grimm are spawned by negative emotions and attracted to panic, fear, and distrust.

They actually make sense of that old stand-by, the “don’t tell the populace what’s going on or they’ll panic” cliché. The cliché is still kinda tired, but at least there’s a viable reason for the policy when popular unease can literally attract sharp-toothed monsters to your door!

While we see bigger and scarier Grimm as the series progresses, it’s also very clear that their power comes from people…the bad guys who prefer widespread terror and bloodshed if it gives them power.

You can kill Grimm…but they just evaporate into smoke when they die. The deeper problem lies in the hearts of men.

Can a plucky little girl with a massive scythe do anything against that?

Soundtrack

RWBY features many official songs, both as episode intros and for the end-credits.

Why are they so…catchy?

The lyrics are fine…clever and effective, but the rhyme schemes can be sloppy at times. The tunes are pretty, but hard to sing until you listen to them a couple times. (And lean toward the one-note, syncopated style of modern praise music at times.)

The style is like cinematic orchestral smashed with rock with a smattering of ballad, which is apparently my groove. And the performers are first class.

Yet…what elevates these to “play constantly on repeat”-worthy is—

The emotion.

Red Like Roses

We get a hint of this, Ruby’s theme song, in the first teaser short. The full version is a back-and-forth between Ruby and her dead mother…and it’s HEART-RENDING.

I Burn

I think this is a credits song…I only found it through the soundtrack lists on Youtube.

It’s Miss Punchy Powerhouse on a power trip! The only downside is one of the verses has (ahem) words I can’t play in front of my parents… (Ooo — found a cleaned-up version!)

When It Falls

This villain song has been in my head for a solid month.

Maybe it’s the innocents lying in pools of their own blood, or the “victory for hate incarnate.”

I have issues.

Professor Ozpin

This is my brother’s favorite character because he sips coffee while launching students off the cliff.

The first few volumes take place in the magic school, and suffer from some of those clichés of “the students have to fix everything.”

And yet…Professor Ozpin is always in the back-ground, watching with wise eyes. In my brother’s words, he’s the “grown-up among grown-ups,” who knows way more than he lets on…and is patient enough to let the students grow at the pace they need – to become the protectors the world needs.

Along with Ruby’s uncle and the other teachers, he maintains the feeling that, yes, the grown-ups actually do know what’s going on…and when bad things go down, they have their eye on the long game.

This is one of the things that breaks in Volume 6, apparently.

It’s all very well to have twelve-year-old superheroes…but when stuff gets real, they need to have older, experienced warriors at their back.

But I stopped watching at the Volume 5 climax…which is everything you could wish for, bringing all players (junior and senior) together on each side of the battlefield for an epic show-down.

(By the way, Blake’s parents are AWESOME.)

Themes

Family

Part of Yang’s personal quest is finding her mother, who abandoned the family when Yang was little.

By the time she finally meets her mother, though, she’s had time to develop her attitudes based on the unconditional support and encouragement she’s gotten from both her dad and uncle. (And her team.)

Weis comes from rich gentry…meaning her identity is wrapped up in her family name. Blake is a racial minority, and quarreled with her parents about how to respond to that.

And Ruby… Well, Ruby accepts everyone, whatever their race, appearance, or mechanical make-up.

And as the Volume 1 title song says, “Victory is in a simple soul.” It’s Ruby’s open-hearted optimism that has a chance to defeat this grim world (ha ha).

Racism

Two races exist in RWBY: Humans, and Faunus…basically humans with animal attachments (ears, tails, horns, etc.). While we get hints that the Faunus have been treated as second class citizens – excluded from restaurants and paid unfair wages – what we actually see is the activism group that’s started using terrorism to get their point across.

The show does a good job showing the problems that arise when activism becomes a goal in and of itself…when righteous indignation becomes hatred and selfishness.

Emotions again: even the characters on the “wrong” side have their motivations and feelings honestly explored. Their actions are unjustified, but we see how the feelings of oppression and revenge led them to this place.

What isn’t done so well is showing the original oppression that they’re reacting against. (Although a character short for Volume 5 does a pretty good job.)

Teamwork and Friendship

When the students arrive at “hero” school, they’re paired up and combined into teams in seemingly random fashion.

But the teachers apparently have a method to their madness. (See Ozpin above!)

Ruby and Weis, while initially polar opposites, are forced to work through their differences to become best friends.

Two other students – a try-hard who got in on forged transcripts, and a universally respected prodigy – are teamed as partners…and develop a beautiful relationship that spurs character development and EMOTION. They are still my most favorite couple although they are also the most TRAGIC one!

Heroes and Fairytales

Just as RWBY draws on classic fairytales for its art direction and character design, it also weaves into the themes and subtext questions like:

“Are fairytales just real stories we’ve forgotten?”

“Are heroes real?”

“The mighty warriors of the past all died…usually while fighting the darkness. Is it still worth doing what they did? Did they still accomplish something?”

People sometimes think of a “fairytale” as something full of improbable things with an unrealistically happy ending. But fairytales also have dark, scary, and depressing things in them.

This tense balance of tone also flows through RWBY.

They’re just little girls, learning how to be warriors. Their moves look really cool and colorful…until you see a glimpse of the real horrors out there.

The horrors that have killed real, grown-up warriors.

The series gets progressively darker, and we seem to ask the question:

“Can Ruby’s idealism really conquer Grimm?”

“Won’t her eagerness to befriend everyone bite her back one day?”

“Can this team of misfits really stick together and accomplish anything?”

“The villainess out there is so huge and horrible…so much worse than what these mere kids have faced so far. If the grown-ups couldn’t stop the darkness, how can we have a hope?”

As for the last question, the Volume 5 finale seems to say: “Together!”

The Never-ending Story?

My brother DNFed Volume 6, so I haven’t watched it (or the seventh volume currently streaming).

But the Volume 5 finale is a pretty perfect place to end things. Sure, there are lots of plot threads still in motion…but the character arcs have peaked, the teams have merged into cathartic awesomeness, epic battles have been pitched, and mini-bosses have soundly had their butts handed to them.

It is, in short, an ending of EMOTIONAL RESONANCE.

So…

If you want to giggle, laugh, say, “Oh, that’s so cool,” and (ahem) sob like a little baby (like when Ruby is chit-chatting and telling all the school news to her mother…’s grave?)…try RWBY.

You can even watch it with your parents and younger siblings, because – while there’s scary, creepy, suspenseful stuff – there’s nothing you have to cover their eyes for. (Or their ears, unlike RoosterTeeth’s other show…Also, careful searching for fan art online!)


While it’s not necessary to start with them, these four character shorts will introduce Ruby, Weiss, Blake, and Yang (er…hopefully hers will go over your kid sister’s head)…and then you can watch the actual episodes for FREE on Youtube.

Or get them directly from the creators at RoosterTeeth!

“Shadow”—A Christian Jason Bourne?

What makes my written work stand out from others in the genre?

"Shadow"—A Christian Jason Bourne? — Kimia Wood

Image credit: imdb.com

Ha ha! That implies that I’ve actually read books in my genre…or that I know what genre I’m writing in…

But seriously, my latest work (Transmutation of Shadow) is an action-packed secret agent mystery…sort of in the vein of Robert Ludlum’s The Bourne Identity…or the movie The Matrix (no, really, a beta reader said it reminded him of The Matrix…yas!)

And yet it’s different. How is it different? How have I made this genre my own? If you love running-and-gunning spies, but also want to train your palate with clean, uplifting books, read on:

Action and Adventure

Books in this genre are usually full of fight scenes and dramatic chases…and Shadow is no exception!

A quick pace follows our hero through the pages, as he hides under the radar, running from people he used to call friends. I’m no Tom Clancy, but I managed to slip in some cool spy maneuvers (like switching clothes and cars repeatedly!).

How is my writing different?

Mr. Ludlum’s fight scenes can be a little…bone-jarring. While I don’t try to gloss over the bloody realism of combat, I also don’t dwell on it. My story doesn’t need it. In the words of one critiquer, I handle everything from death to violence with “grace and elegance”.

Let’s face it: my main character is an assassin. His government pays him to “eliminate” undesirable elements…AKA to murder people.

I think this is one of the things that made my parents leery when I first started writing it – but they both agree that I’ve dealt with the subject with maturity (but not gratuity) and cheerfulness (but not glorification).

Language

Robert Ludlum, Tom Clancy, Alistair MacLean, and others in their genre are prone to “spicy words.” Let’s face it: in the world of soldiers and spies, terrorists and mafia dons, you won’t catch many people saying, “Good golly, Miss Molly!” when they stub their toe.

I’m from a different culture.

To be specific, the homeschooling, church-y culture where “Jeez” is too strong, and “Good grief gravy!” is for when you’re really, truly frustrated.

I gotta snicker a little here, because this is an area where my first line of beta readers really raked me over the coals.

“He can’t say ‘shucks’! He’s in the Army Special Forces, for crying out loud. If the guys in boot camp caught him saying ‘shucks’ they would beat him up!”

So…I took advantage of the glorious tool of obfuscation, and peppered the manuscript with “I swore” or “I muttered a curse.”

Realism + opaque writing = something you can give your teen without blushing!

Sex

Robert Ludlum is especially bad this way, but Tom Clancy also doesn’t shy from a sex scene or two.

What about the Kimia Wood books?

Hmm, yeah, there is none.

My character doesn’t even have a girlfriend. And if he did, I have a moral compunction against including any illicit material. Just check out my full-fledged rant against romance fiction. After frothing at the mouth about characters sniffing each other like wild dogs, the last thing I’m going to do is give my book a steamy scene.

While I tend to associate the tag “clean” with sickly sweet little Amish romances or quirky romantic mysteries with brightly-colored covers, I can’t deny the strict reading of the label applies to my own work. If you’re not “dirty,” you’re probably “clean.”

Tone"Shadow"—A Christian Jason Bourne? — Kimia Wood

Alistair MacLean’s work are tense, but largely upbeat and empowering adventures. Tom Clancy’s are highly technical, with tension slowly and deliberately constructed from all sides.

Robert Ludlum stares deep into the abyss, and his work is accordingly heavy on the gritty realism of his topic. And Larry Correia, while he sprinkles humor and cool world-building throughout his books, knows how to ratchet the tension up to eleven and just keep cranking.

How am I the same but different?

"Shadow"—A Christian Jason Bourne? — Kimia Wood

Image from Pixabay

My book has been compared to The Matrix and Equilibrium. While I’m thrilled that my fight scenes evoked these same emotions, the tone of these movies is not what I was going for…nor (I think) what I achieved.

Both these movies have greyscale palates, with lots of dark costumes, rainy sets, and oppressive atmospheres.

While my protagonist is in a lot of danger (and goes through some pretty rough experiences) I wanted to stay upbeat and hopeful (with, dare I say, touches of humor?).

This isn’t your fluffy-creampuffs read…but it isn’t a GRIMDARK where you’ll leave the story feeling dirty and depressed. We put the “fun” in “run for your life”!

Theology

The best books show an honest picture of human nature, perhaps draw images from it to help us understand ourselves…and perhaps even say something profound about the universe.

Some authors (like Ian Fleming) simply provide some wish-fulfillment and let the audience have an exciting adventure. Others (like Robert Ludlum) paint vivid, honest pictures of humanity and the societies we build.

How do my works compare?

Transmutation of Shadow is fun, sure. A romp that lets us run for our lives, hide in plain sight, and experience the thrill of daring escapes all from the comfort of our reading chair.

But I tried to go deeper. As I’ve gotten older, and my writing has grown, I’ve decided “I don’t want to be room noise” – I want to say something worth saying.

As I let my conscientious Christian worldview inform my story-craft, I can deliver a story that’s about much more than a psionic assassin solving the mystery about himself…I tell a story about a killer forced to confront his own actions, to stop passing the buck, forced to find redemption.

Which only comes from Jesus.

As impressive as Clancy, Ludlum, and MacLean are, that’s a story I’ve never seen them tell.

Decide for Yourself!

Transmutation of Shadow is currently out with critique readers, but I plan to publish it some time this year. Stand by, and you can read this exciting science fiction/spy thriller with a humble yet determined protagonist for yourself!


"Shadow"—A Christian Jason Bourne? — Kimia WoodKimia Wood currently lives with her family somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates on her latest reading and writing adventures – including WHEN SHADOW PUBLISHES!

“Red vs. Blue” (Seasons 6 thru 13)

"Red vs. Blue" (Seasons 6 thru 13) — Kimia Wood The internet is a dark, mysterious place…full of dangerous things like web series. If you aren’t careful, you might find yourself…watching Red vs. Blue.

And if you have a little brother, you might find yourself compelled by those big brown eyes to watch it, despite your better judgement. #askhowIknow

In all honesty, though, is RvB really that bad? Well…it has some content “not for mothers-in-law“, but it also has a lot of powerful, heart-moving themes.

You gotta decide if you’re up to getting there.

Premise

This might sound weird, but RvB is a Halo-based Machinima where two teams of soldiers camp on opposite sides of a valley in color-coordinated teams (yes…Red and Blue). It streams free on YouTube (in five-minute episodes organized into seasons), but is also available in DVD format.

I gather that early on, it was basically an excuse for cheap skits and foul-mouthed jokes while these pathetic losers tried unsuccessfully to kill each other.

But I wasn’t brought in until Season 6…when they actually start telling a cohesive story. Continue reading

“Monster Hunter International” by Larry Correia

The book that got my brother out of his reading slump was — chock full of guns and monsters.

It’s a bit of a story: my dad got a free copy during a promotion, and when he finally read it

He shoved it into my brother’s hands when they were taking a long drive together, and ordered him to read. My brother…

Started paying his own money for the next books in the series, geeking out at every opportunity, is currently slavering for the author to finish Book 7, and badgered me left and right to read Monster Hunter.

So here I am. I’ve joined the club. Maybe I’m not normally in the demographic for ripping apart monsters with anatomically correct firearms, but sometimes you just gotta let your inner “Heck, Yeah!” have some fresh air.

Continue reading

White Mesa Hiatus + New Work-in-Progress

Sometimes You Need Something New

I typed the first words of the first scene of Book 1 in the White Mesa Chronicles on April 2, 2015. That day we were moving all the stuff out of our house (into Grandpa’s basement), and I sat on the carpet in the bedroom I grew up in to get in a few words amidst all the chaos. (Why? ‘Cause that’s the carpet where I nestled on the floor in the corner and thrashed out the lion’s share of Hayes and Hayes.)

White Mesa has been a great journey, trying to look forward to what life will be like after the U.S.A.’s death throes. I (with help from my family) got to construct an entire world, and populate it with people with motivations and thought-patterns different from my own!

When you get the cover done before writing the actual book…

But it’s time to move on.

I decided this after typing 1 and 3/4 first-drafts of Book 6: Feral. That’s 53,290 words of a NaNoWriMo draft, plus 27,490 words of a fresh “blind draft”. I found myself going days or weeks without looking at the file, and whenever I did sit down to work I had to drag the words out. I figured such uninspired dreck might well give readers the same sense of lethargy that it gave me…

So, we folded it up and put it on the shelf. Books 1 through 4 are out for your reading pleasure, and Book 5 has good bones. After a breath of fresh air, and turning my mind to new projects, I’ll be able to finish the last three books with more energy…more passion…more joy.

So What “New Project” Is Next?

I’m currently story-boarding the story of a perfectionist assassin who realizes he’s been given corrupt orders.

Yes, sweet little churchy Kimia is writing about an assassin.

I am the girl who brutally poisoned one of my leads in Sons of the King, and gave a teenage boy an OD in Hayes and Hayes. But it probably won’t be as bad as all that.

This is how I’m plotting it:

Winds of Change — Kimia Wood

Image from Pixabay

But this is probably how I’ll write it:

Winds of Change — Kimia Wood

Image from Pixabay

I once wrote a short story about ritualistic human sacrifice. Know how my dad responded? “Cute.” Yes, “cute”!

So despite my best efforts to be “gritty” and “realistic”, I doubt my style will be much different from the up-beat, family-oriented narrative you’ve come to know and expect from Hayes and Hayes to Renegade.

What’s this New Story Actually About?

Well, check out this first draft blurb and see what you think! 😊 (Then, come back when it’s actually written and find out how different it is from what we planned!)

Eric likes his job. Why not? He’s very good at it.

Get in. Don’t be seen. Dispatch the target. Exit. No collateral damage or stray casualties.

Sure, he’s killing people; but they’re bad people. Someone has to stop them and protect the rest of society. And with his amplified abilities, his agency has a track record of always taking out the right targets – and no one else.

Until the night he follows his tactical Heads-Up into a room…and discovers his target is a seven-year-old boy.

As his faith in the system crumbles, his protests to his handler yield no answers. This is the correct target…well, somebody’s target.

Eric aborts the mission – and finds everyone he used to work with shooting at him.

He was always one of the “good guys”. What’s going on? He’s determined to keep protecting the innocent…but can he?

And will he live long enough to try?


Kimia WoodKimia Wood lives with her family somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a free copy of her post-apocalyptic novella Soldier, plus updates on her latest projects and other cool stuff whenever we think of other cool stuff.

Apocalyptic Stories – How, What, and Who

Apocalyptic Stories – How, What, and Who — Kimia Wood

Published in connection with the Indie Author e-Con 2018. Find more here

When you enter “post-apocalyptic” into Amazon’s search bar, you get lots of things. 30,000 results, to be exact.

But hey, there’s always room for one more version of civilization’s death throes, right? What if you want to craft your own apocalypse tale? Where do you need to start?

When eating an elephant or an apocalypse, start with one bite at a time. Continue reading

“The Bourne Identity” by Robert Ludlum

"The Bourne Identity" by Robert Ludlum — Kimia Wood — Bourne A man washes up in the Mediterranean Sea, riddled with bullets and more dead than alive. Several months of care on a tiny fishing island restore him to health, but not to himself – he can’t remember who he is.

Once he steps off the island, a world of danger and secrets rears up, threatening to swallow him unless his “gut-instincts” from who he was can keep him alive long enough to figure it out.

Full of shoot-outs, bodies, and secrets peeling back like onion skins, this book is an action-packed read – for the discerning. Continue reading

Why MacGyver’s Terror of Guns is Silly

Why MacGyver’s Terror of Guns is Silly

Season 4, Episode 2, of MacGyver is a story called “Blood Brothers” where MacGyver protects two teens from drug dealers while experiencing flash-backs of the childhood tragedy that set him against guns and handguns. From Wikipedia:

Back in his childhood home town, MacGyver is haunted by memories of his youth where a friend was killed by a gun while preventing his friend’s son from using a gun to defend himself against hoodlums.

While the episode works very hard to evoke a specific emotional response, and while it explains MacGyver’s phobia of guns, the moral it tries to convey (“When are they going to do something about guns?“) doesn’t apply – not in our modern day of 2017.

(Note in passing: after all the times MacGyver blows up Murdoc, or drops him in acid, or knocks him off cliffs, or drops buildings on him, etc., Mac’s aversion to firearms seems a rather weak stance.)

Back to the specific episode, I shall break down the specific issues point by point.

* * SPOILERS * * Continue reading