Publish Your Book on Amazon (For People Who Hate Computers)

So you want to publish a book on Amazon…but have no idea how?

Don’t worry! It’s super easy!

TL;DR:Publish Your Book on Amazon (For People Who Hate Computers) — Kimia Wood

1) Go to this link: https://kdp.amazon.com/

2) Sign in with your Amazon password.

3) Follow the prompts and read the instructions!

4) Check out Amazon’s “how to” posts for more information, or if you get stuck.

Do you want more detailed instructions? Well, for those who hate the internet, and just want someone to spell everything out ahead of time, read on!

Whether you want to publish your grandpa’s memoir…your husband’s hobby novel…a family history…a fan-fiction — if your only goal is getting it on Amazon so your second cousins in Alaska can order their own copies – this is the place for you!

(Info on plotting / writing / editing / revising / re-plotting / polishing / revising / editing / marketing / selling a book or novel is beyond the scope of this post.) Continue reading

“My Hero Academia” (Seasons 1 thru 4)

"My Hero Academia" (Seasons 1 thru 4) — Kimia Wood In a superhuman society, these kids work hard to one day use their abilities as Heroes.

Anime has opened up a new world for me. After hearing My Hero Academia hyped enough on the internet, we checked it out…and, well, it made it onto my list of 27 things I like best.

The themes, world-building, and characterization are astounding, and the arcs they take the characters on are impressive, too. It’s not perfect – some story-telling choices are sloppy, and the main lead is insufferable at times – but it’s still incredible…and with only a few caveats, I can recommend it to everyone (even my mom, though she’s not into shonen).

(Note: I am only reviewing the anime…not the manga, any of the movies, or the video game – because, yeah, apparently there’s a video game. Who knew?)

The Super-Charged Cast

MHA accomplishes the remarkable feat of creating a large cast where each member is memorable, and has their own personality.

At the beginning, there are, say, four or five stand-outs that serve as our “power trio” (I know the math doesn’t come out – work with me), while the rest of the first-year class is a blur of unpronounceable Japanese names.

But after a season or two, every single member of the class has had a chance to shine…to display a personality quirk, reveal depth of character, or establish a stable relationship dynamic for us to remember them by.

Let’s start at the top.

Whiny Green-hair

Our young heroic protagonist is Deku, a boy born without a Quirk – this universe’s term for the unique superpower that 80% of the population is born with.

These abilities range from having a big tail, to being invisible, to cancelling gravity on things you touch, to shooting explosions with your hands.

But Deku was born without any Quirk. He still dreamed of being a great hero like his idol All-Might (the Number 1 professional hero – “saving everyone with a big smile”), and when the inciting incident gives him a Quirk, he enrolls in “hero high school” to train his abilities and join an agency one day.

Why did we give him the nickname “Whiny Green-hair” before we could remember his Japanese name?

Uah…He’s one of the three problems with the show.

Deku is earnest and selfless…but he’s also one big bundle of insecurities. Raised by a single mom and used to being the underdog, he’s a wheezy nerd who has indulged his hero fandom by analyzing fighting styles and brainstorming new ways for others to use their Quirks.

But all that means he tends to over-think things, and almost every encounter involves him mumbling to himself in a frenzy of anxiety.

Sure, it’s realistic considering his age, his upbringing, and his personality…but that doesn’t mean it’s any less annoying when he wastes time wondering whether he can succeed instead of mapping out ways to succeed.

The first season is practically drowning in his angsty internal monologue…and my dad says the voice actor they got for the English dub is grating. (I guess his voice does have a tendency to squeak and whine — couldn’t they have gotten someone who’d already hit puberty?)

All that said…

What saves Deku (and the show) is the way he changes. As Deku grows and stretches his abilities, we see how his obsession with studying others and their abilities makes him a better team leader – better able to use the talents of his fellow students to get them out of situations.

Not only does he gain more confidence, but he’s forced to leave behind the weepy, abasing personality bit by bit. He’s still not a battle-hardened chill-dude who does what needs to be done without dithering…but he is a driven hero-in-training whose determination to help others is matched by the spine to stand up to opponents.

He cries way less than he did earlier, and he’s a much faster thinker in combat than he used to be.

And this willingness to take their characters’ personality crutches and rip them away is what raises MHA above the rest.

Speaking of which…

Lord Explosion Murder

Deku’s childhood best enemy is a Class A jerk, braggart, and violent borderline-psychopath. (The second problem with the show.)

His name is Bakugo, but when the class is coming up with Hero names for themselves, one of his attempts is “Lord Explosion Murder.”

His Quirk is nitroglycerin-like sweat that lets him fire explosions from his palms, and since his Quirk manifested about age four, he’s been praised and doted on for being so strong.

This twisted into an inferiority complex/imposter syndrome that displayed itself in Bakugo being a toxic bully to everyone – but especially to Deku, who somehow thought they were friends and that it was his own responsibility to reach out to Bakugo and “fix” their dynamic.

Well, a full discussion is probably beyond the scope of this review…so let me explain why this walking bomb doesn’t derail the entire show.

Well…he does get on my nerves…

But he also gets a slow, painful, subtle, yet powerful character arc.

TV shows are often high-lighted for their ability to tell long, drawn-out stories with more subtlety and depth than a short movie could squeeze in. MHA has used this strength on Bakugo.

Throughout the show, his hair-trigger temper and verbal threats of actual bodily harm make you wonder why he isn’t in a straight-jacket. Are the teachers and other adults in the show as idiotic as Deku? Sure, Bakugo is attending the Hero course, but his self-centeredness, pride, and domineering personality paint him as more of a Villain.

Then…you see the mastery of the delicate brush.

Bakugo builds friendships with people who are not Deku…and through clashes with villains, tests for school, and other plot arcs he is forced to realize his abrasive habit of lashing out is not who he actually wants to be.

Unlike Deku, he doesn’t prattle on in internal monologue, telling us exactly what he thinks about himself and why. However, just as much can be achieved with a few terse lines of dialogue, a few facial expressions, and the way Bakugo interacts with people who are not Deku.

Time will tell where he ends up…but the mere fact that he’s not allowed to be “the bully character no one feels bad for” but forced by the story to grow and change is…well, it’s why MHA is 100 times better than Avatar YES I SAID IT.

Adults Actually Adulting

MHA doesn’t just force the child characters to grow up and get spines, self-control, perspective, etc.

It has Adult characters that actually behave Grown Up!

The teachers are the most obvious example.

They aren’t just token adults to let the kids interact with no oversight or input. Oh, no.

These teachers actually know their jobs…their jobs being – not only to push the kids past the limits of their Quirks and make them effective fighters, but also – to forge the characters of the students into mature, thoughtful, other-focused, quick-thinking, big-picture Heroes.

My favorite is Mr.…er, his Hero name is Eraser-Head. His Quirk is the ability to cancel out the Quirk of anyone he stares at – until he blinks. This makes him a perfect choice for training students who are still getting a hold of their powers.

But he’s also brutally hard-core. He himself is a beast of a fighter, but he’s also ruthless in pushing his students to do their best. Several times, they come within an inch of being expelled because, after all, if they don’t have the mind-set to learn, adapt, and push themselves…then they’re wasting their time trying to become Heroes.

All-Might is the Number 1 Hero – the self-proclaimed “Symbol of Peace” – and Deku’s childhood idol. But he’s also joined the faculty at their Hero school, so he becomes a vital character of the show.

He’s not a one-note paragon, though. He has doubts, and weaknesses. As the show progresses, we see more and more of his back-story and struggles, and get a sense that even the grown-ups have things they can’t handle.

Though he has a special mentor relationship with Deku, he has made an impact on every character in the universe – from the students, from the Heroes who worked with him, to the villains, to the street-crawling thugs. His towering personality adds complexion and depth to a million other characters and relationships because of how each person views him – and his ambition to give civilians a “Symbol of Peace” to take comfort in.

"My Hero Academia" (Seasons 1 thru 4) — Kimia Wood

Image credit: Dualshockers.com

Everyone gets fleshed out.

Ally or antagonist – policemen, teachers, parents, villains, or dudes – everyone gets the extra brushstrokes to turn them from a talking head into a person with their own agendas and desires.

What’s more, the majority of the students are mature, quick-thinking, hard-working, cool-headed, and focused on the end goal of becoming Heroes who help others.

In fact, one of the reasons Lord Explosion Murder is sufferable is that he’s actually pretty intelligent – good at summing up a situation and seeing what needs to be done from a big-picture standpoint – and then actually doing what needs to be done – even if he’s grumpy about it and pretends he’s not really doing it for the good of those around him.

Whenever a side character gets a chance at the spotlight and we see some more depth and maturity to their personality, I giggle in sheer glee.

Finally, as of Season 4, the parents and teachers are firmly on the side of the students – backing them up, shielding them, and forcing them to grow so that they’ll be strong enough for the trials ahead.

In short, being real, big-boy-pants, dithering-free Grown-Ups. I love it.

Once Upon a Time: Quirks, All Over the Place

My Hero Academia is vaguely set in our world, far-future…so the occasional reference to real geography or literature pops up.

However, now there are superpowers…in fact, a majority of the population has superpowers.

While plenty of Quirks seem basically the same (during the school’s fight tournament, two students are frustrated to find their Quirks are essentially re-skinned copies of each other), there’s enough flex within the abilities of each individual to make each character stand out.

First, the World

Human beings are twisted, selfish beings. When you randomly sprinkle superpowers onto them, you’re going to get villains.

The world seems to be pretty stable right now (from the perspective of our teen protagonists), but it becomes clear that this is the work of All-Might (Earth’s mightiest hero, etc.).

In the past, super-villains ran free in the streets – and even now, the government-sanctioned Hero Agencies fight a constant battle against street thugs and organized crime.

And that’s not even counting the villains slowly emerging from the shadows, who’d like nothing more than to see the world burn.

It’s also pretty realistic that using Quirks without a Hero license is outlawed.

While I’m personally all about self-defense and letting the man-on-the-street defend himself, there are also some examples of why it’s a good thing there are designated “do-gooders” to help those in need.

After all, with so many crazy abilities in the world, physics itself could get pretty unpredictable pretty quickly.

Speaking of Crazy Abilities…

There are 20 students in Deku’s class. There’s also a second Hero Course class, not to mention all the teachers, the rest of the school, the parents and families, the dudes on the street, the villains, organized crime –

In short, you’ve got a lot of Quirks to figure out, especially if they all have to be at least slightly unique.

At first glance, this leads to a few lame Quirks. One girl can make her hands grow to the size of her body. Deku’s mom can levitate small objects – small objects, from a short distance away. Another student can voice control small animals.

But, as the teachers use their classes and obstacles to drill into the students, it’s not what your Quirk is – it’s how you use it.

And part of the joy of MHA is seeing all the creative ways people use their Quirks.

Deku is one of the most obvious examples, since he didn’t even get his Quirk until the start of the show, so he hasn’t been experimenting with it since childhood. However, it’s also a powerful strength Quirk, and so a lot of his struggle is working to control it without destroying his own body in the process.

(One of the reasons he’s such a popular protagonist with the internet is that every single victory is an uphill battle…and even then, he often doesn’t conquer – at least on the first try.)

The out-of-the-box thinking – and the obvious fun the creators had in coming up with new ways to bend the rules of Quirks – make this element one of the best in the show.

Caveats

The show isn’t perfect. A couple story-telling choices hold it back, and some inappropriate humor might make it unsuitable for some audiences.

Non-Linear Story-telling & Repetition

The third biggest issue with MHA is the pacing, and the times when they don’t trust the audience to get the point.

I’ve pointed out above that MHA excels at building elements over several episodes, painting characters through repeated actions – not just dialogue – and then paying off great character development that we didn’t even know they were setting up.

Which makes it so frustrating when the show uses flash-backs to constantly go over material we already know.

I haven’t seen the manga, so it’s possible this is an issue with the anime specifically – possibly to fill out episodes while they waited for more plot content. But it’s frustrating.

Deku, especially, has a tendency to lapse into flash-backs of his childhood, the dramatic circumstance of him getting his Quirk, previous conversations (sometimes conversations from this very same episode), pervious interactions with different people, dramatic declarations (“I will be a hero that saves people with a smile—”)…

Not just that, but the beginning and ending of each episode is usually a recap or a teaser, respectively…one of which is material we already know, another is material we could know by just watching the next episode.

Y’all know there’s this thing called binging? We aren’t actually waiting a week between episodes…we just stream it from our favorite service over the internet, and – there it is.

Even if we did have to wait – we’re intelligent adults! We can remember things and make connections and get references to previous conversations without you having to constantly replay the same clips over and over again!

The very fact that not all of their story-telling is so ham-fistedly blunt proves that the creators have better skills than this — several of the side characters and minor villains, especially, are expertly sketched and fleshed out without the need of this mind-numbing repetition and exposition.

Perhaps the creators will eventually grow enough confidence in their craft to leave the copy-paste flash-backs behind. It would tighten and streamline the episodes immensely.

That’s not the only kind of confusing flash-back, though.

I don’t even know what to call this narrative device, but once in a while the show will skip over important information, then pause in the middle of the action to go back and show it.

This can be done well, as where Deku makes a clever plan for the group of friends to escape a situation — then, as we watch them act out the plan, we hear his voice-over directions to them, explaining how it should work. That compresses the narrative and lets us experience the action while still seeing how clever Deku was to plan it all out ahead of time.

When it’s badly used, it throws the characters into a confrontation, then jumps back to the characters discussing their plan of attack, then jumps ahead to what they’re doing…and that’s an example dealing with an actual physical confrontation.

Sometimes characters have conversations, but they’re chopped up – and we don’t get to see the more dramatic or meaningful moments of the talk until a flash-back from one of the participants later on.

This is all just frustrating – making it feel more like the authors withholding information for maximum emotional impact rather than letting us experience events smoothly with the characters.

I mentioned how nice it is that the villains get fully fleshed-out motives and personalities?

Yeah, only to a point. When we get to the point of stretching about one episode worth of conflict out across three episodes, padding the run-time with extensive flash-backs of information we either 1) know already, or 2) could pick up from a single facial expression…that’s just bad story-structuring. (YES, I’m looking at you, Gentle Criminal!)

Slowing fight scenes to a crawl so we can explore the backstories of each of the bad guys through flash-backs is also not the best way to handle it.

Yet…for all my complaints…the show still made it into my top five of all time.

If they fixed some of these issues? One Punch Man might be in danger of losing its crown…(not big danger, because Genos, but still…)

Sexual Humor

My Hero Academia is blissfully romance-free. One of Deku’s classmates has a crush on him, but she is currently channeling it into trying to be as hard-working a Hero as he is…not angst. And that’s exactly what actual real love is built for – to draw us out of ourselves and inspire us to be better, not to gratify our own desires!

The writers seem more interested in growing the characters into mature Heroes – not pairing them off…which is delightful. (They’ve also avoided falling into the trap of LGBTXXX-posturing, which is so refreshing.)

But nothing is perfect – not even MHA.

One of the students is girl-crazy (it’s like his single biggest character trait), and the humor department gets a lot of milage from his pathetic attempts to see their curves. There’s a scene where the boys and girls are bathing (separately) and he tries to climb the wall that separates them to get an eye-full. He fails…but the audience sees some naked back-sides (both genders).

Several of the female Hero costumes are…not appropriate. And one girl’s Quirk involves her being naked from time to time (though we don’t see any of the “essentials” that a bikini wouldn’t cover).

The show mostly plays it for humor – or as a realistic portrayal of female heroes using their “qualities” to boost their own PR – but it means I can’t blanketly recommend MHA to all the younger siblings out there.

Yes, girls have anatomy. Maybe we need to acknowledge that fact from time to time. But not everyone is ready for that.

Region 1 DVD Set Pretty Please!

You can come for the cool fights with different super-powers…the writers know that’s what you want, and serve up plenty of that.

But you can also come for long-form relationship development and character growth…growth focused on taking selfish, unsure, inexperienced children and turning them into strong, responsible, chill, kick-butt Adults.

I really, really hope the later seasons don’t go off the deep end…and also that they publish a reasonably priced DVD set soon.

Until then, head to your favorite anime streamer and queue it up! Yes, they have the “continuing story” threads that you’d expect from a series…but they also know how to close each separate story arc with cathartic resolution! Kimia-Hater-of-Cliffhangers approves.


Cover image credit: Newsweek.com

The brother and I watched it on Funimation. You can also find it streaming on CrunchyRoll, BestDubbedAnime, YouTube, and Hulu, plus I’m sure lots of other places. (Obviously you’d have to subscribe to whatever service you want to use. I can make no recommendations.)

Amazon does offer some DVDs (apparently so does AnimeCornerStore) but each season is split up for some reason and CHECK YOUR REGION BEFORE YOU BUY (also make sure it’s in a language you speak!).

Why “Avatar: The Last Airbender” Was Good—But Not Great

A friend of mine recently watched Avatar: The Last Airbender, and says it has become her favorite show ever…by a good margin.

Why "Avatar: The Last Airbender" Was Good—But Not Great — Kimia Wood

Image credit: CartoonsOn.tv

And…nah.

It was good, I’ll grant you…but it wasn’t THE CRUX AND APOTHEOSIS OF ALL GOOD WRITING AND THE PEAK OF ENTERTAINMENT. (And my brother gripes about this show way more than I do.)

You can read my full review to get all my initial thoughts, but I think the basic element that held this show back was:

KID VS. GROWN-UP CHARACTERS

You might be thinking, “But it’s a kids’ show! All the principle characters are kids!”

I’m not talking age. I’m talking maturity.

And while it’s understandable (and almost expected) for characters to start with some immaturity (especially young characters), it should be something they grow out of. The plot should force them to develop.

It shouldn’t be celebrated. Continue reading

Magnum, PI, Another Again

Lots of people Magnum, PI, Another Again — Kimia Woodhave talked about the repetitive, unimaginative products Hollywood has been offering us lately…and with much more analysis and detail than I could.

I just want to make a brief comment about a recent reboot that high-lights just how desperate and irrational this phobia of original concepts is.

Magnum, PI

Dad introduced us to this show as part of “pop culture” class. I also watched some episodes on my own, and enjoyed the mystery, the adventure, the detective work, and the charm of Tom Selleck.

Here’s the premise, in my own words:

Thomas Magnum, a Vietnam veteran, now works as a private investigator in Hawaii. He ostensibly works for the reclusive author Robin Masters, whose estate he lives at, and has a strained relationship with Masters’ estate caretaker, Higgins.

Higgins is an older man, a veteran of the First World War, and a straight-laced counterpoint to Magnum’s Hawaiian-shirt-wearing energy.

There. Lots of room for plot, as episodes explored Magnum’s war experiences (his two best friends served alongside him), enjoyed the tropical setting, and pitted the mirthless, proper Higgins against Magnum’s fun-loving demeanor and eclectic working schedule.

The Reboot

CBS has brought the show back – well, as an updated, readjusted form of itself.

Thomas Magnum is now a Hispanic veteran of Afghanistan. This is great. Hispanics can be good-looking, there’s no reason a Hispanic veteran wouldn’t live in Hawaii (and decide to be a PI), and the casting openly acknowledges that you can’t re-create Tom Selleck, so why try?

Just do your own thing, and do it well.

The bigger problem is that “Jonathan” Higgins has been turned into “Juliet” Higgins. As Laura Finch in WORLD Magazine put it, “I think we all know how that story ends.”

And that’s the problem.

This is “supposed” to be Magnum, PI. Part of the whole dynamic there is the conflict between Higgins and Magnum…the old man and the young man…the Brit and the American…the class act and the bend-the-rules…the suit and the Hawaiian shirt…the straight-faced professional and the emotionally-invested professional.

The bickering of two men who didn’t see eye-to-eye, and the grudging respect they gain for each other through long seasons of working together (and saving each other’s lives) was a profound and unique dynamic.

Now…there’s Magnum and Juliet.

As soon as it’s a man and a woman, you have sexual tension. That’s just how it works. A male and female can’t have the same platonic working relationship that two people of the same gender can.

The writer in WORLD already spelled it out. We can all smell where this story is heading. Even if the writers decide to toy with our expectations, and these two don’t get together, the fact that there’s this possibility turns all their interactions on their heads.

Now, a “grudging respect” might be “flirty bickering”. Juliet complaining about Magnum’s methods might be a romantic rebuttal, or an emotionally confused statement (she’s attracted, but doesn’t want to be, so it taints her professional decision-making…or vice versa) – rather than a plain statement about their different working mentalities.

(The new writers also want her to be a “strong female”, with MI6 experience and the skills to defend herself, thank you very much. Whatever, people.)

Another, Again…Except Not

Could a story about a man and a woman in antagonistic professional circumstances be compelling? Could the tale of how they bond over shared adventures and intrigue (both pulling their weight – in a masculine sense – ala Mr. Incredible and the kick-butt ElastaGirl) be entertaining and meaningful?

Sure. But it’s not the story of the original Magnum, PI.

I enjoyed the original. I enjoyed how Higgins and Magnum didn’t really like each other, thought the other one was much too ____, but still had each other’s backs in every sticky situation. It was a uniquely male dynamic, and refreshingly so.

In private, Magnum would troll Higgins, and Higgins would scold Magnum. But when bad stuff hit the fan, they put their personal relationship in the back seat, and worked together to win.

Turning one of these characters into a woman automatically makes the personal relationship a key issue. Women are much more “personal relationship” oriented than men are…and men forming relationships with women have a much harder time not making those relationships “personal” (think of the deep, innate urge to save the princess – even if she’s a jerk).

Even if Magnum and Juliet are both mature, rational adults, you can’t put a man and a woman in a room and not have tension. Further, they’re going to approach whatever problems they face from a male or a female perspective – regardless of whatever cultural, demographic, religious, philosophical, and experiential differences they might have with each other.

To pretend this new show is Magnum, PI, but to change this foundational element, is both disappointing and confusing.

I probably wouldn’t watch the new show either way, because we don’t have a television. (And my brother got more exercised about the gender-swap than I did.) But I really wanted to connect this new show to the issue I started with…the regurgitation of media.

Just do your own thing, and do it well!

What if, once upon a time, a writer had a new premise idea for a great TV show:

Tomas Colt is a Hispanic former SEAL turned private investigator, using his combat skills in the private sector. He lives on the estate of a reclusive author, and has a tense relationship with the estate’s caretaker Juliet, who doesn’t approve of his professional methods and standards.

Little does he suspect she is former MI6, and critiques his detecting and problem-solving techniques because of her own experience in the field…

Well? Why didn’t they do that?

Why did they say, “This is that exact same show you used to love, except with younger actors and good graphics…and also diversity”?

Instead of, “If you loved Magnum, PI, you’ll also love this new show that has some similar elements, but is exploring its own themes for a modern audience! Please tune in to Colt, PI!”

Why? Right when writing coaches and analysts around the internet are bemoaning the lack of originality and risk-taking in modern media…why would they take an old show, change one of its foundational tenants, and try to feed us the same old thing only more diverse?

Just do your own thing, and do it well!

I just watched a YouTube video about how the live-action Beauty and the Beast did the same thing…”fixed” non-existent problems of sexism and bigotry, and created new problems of character motivation, plot inconsistency, irrational bigotry, and emotional impact. (language cautions)

And in case you think I’m a cynic who just hates all female characters, try this YouTube video that explains we just want good female characters…and to not have the writers’ virtue-signaling meta-agenda shoved down our throats.

Sure, let’s make new stories. But let’s make new stories. And let’s be intentional about the dynamics, character motivations and interactions, and thematic assumptions that go into our stories.

Do your own thing…just do it well.


Header picture is from WORLD Magazine.

Magnum, PI, Another Again — Kimia WoodKimia Wood currently lives somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure novella Soldier! You’ll also receive periodic updates of her latest reading and writing adventures.

Karpman Triangle or Christian Allegory?

Karpman Triangle or Christian Allegory?

I recently read a post talking about “Karpman’s drama triangle” – a theory that story characters arrange themselves into Hero, Victim, or Villain roles – and how this had a negative effect on stories and society. (It’s under Point 8.)

The post writer suggested making sure all characters had “agency” – or meaningful choice – within the story. This is important, as far as it goes…personal responsibility for actions is very important.

However, when I first heard her explain “Karpman’s drama triangle”, I said to myself, “Isn’t that exactly what we see in the Bible? Don’t stories follow this pattern so often because we’re resonating with the eternal story of creation?”

The Triangle of History

This triangle, as I understood it, talked about how someone would require rescuing, so someone else would rise to rescue him.

This is what we see in the Bible.Karpman Triangle or Christian Allegory? — Kimia Wood

We are in trouble. Deep trouble. Classic damsel-in-distress type stuff.

We (humanity) were born into a perfect world…but then the Villain struck! Yep – us, again.

(I didn’t say “Satan”, because that gives him too much cred. The world didn’t break because Satan disobeyed God…the whole universe broke because Adam disobeyed God! Thanks, Great-Granddad…)

So here we are (each individual human being), playing the Villain role (taking up arms against God and hurting things wherever we go) and the Victim role (hurting ourselves at every turn, and totally helpless to fix ourselves).

There’s nothing we can do to change this state of affairs. Nada. Trust me, humans have been trying for thousands upon thousands of years. We can’t patch up our relationship with God, and we can’t free ourselves from our own evil desires…just like addiction.

The whole human race is addicted to badness.

Enter: the Hero! Jesus. Son of God. Totally awesome, Lawful Good, and kick-butt (can I say that?!).

He humbled Himself, went through the famous “Dark Night of the Soul“, all that classic Hero stuff…literally died. Was dead for three days.

Then? Happily ever after! Jesus kicked death in the face and came alive again!

With the “dragon” slain, the “prince” “rode up on his horse” and asked the “damsel” if she would marry him!

So…will you say “I do”?

It’s not just the overarching story of salvation, either.

God cares about individual widows, too. Check out Deuteronomy 14 (yes Deuteronomy):

God is telling Israel about tithing – giving a tenth of your grain, your fruit, your wine, your produce to God so you remember that He gave you everything.

Then God tells them, every three years pile the tithe food in the middle of the city and let the widows, orphans, and foreigners (with no land inheritance, family network, etc.) eat their fill from it (Deut. 14:28-29).

See? Yes, God cares about rescuing his Church (Bride)…but He also cares about the “helpless” widows and orphans – the “victims” of unavoidable tragedy who don’t have the resources to help themselves.

He cares, and that’s why He commands His people to act as “heroes” in His name, extending aid to those worse off than ourselves.

Want an example from the New Testament? How about James 1:27? James’ theme is that talking the talk is worthless unless you walk the walk. (You say you believe in God? Super. The demons believe the same thing – and have the sense to be afraid of Him! Js. 2:19.)

That’s why James points out that God wants us to act out the faith we say we have by: being a “hero” to the “helpless”…the weak, tired, and alone. The “victims” of this sin-scorched world. (The “villain” being: ourselves again.)

Back to the Psychologists

Karpman wasn’t talking about God, though. He was a psychologist, trying to explain human relationships and human behavior through “Science!”.

And he’s right about one thing. When human beings try to mimic the role of God (Hero), we mess even that up.

Karpman and his friends called it things like “encouraging dependency”, “ignoring their own problems by focusing on helping others”, “taking advantage of the rescuer”, “perpetuating the victim’s feelings of helplessness”, and other things.

All of which is trying to turn something organic (a relationship) into something algorithmic (turning human interactions into a series of equations – which they’re not).

I think the Bible says it all much more succinctly:

So when the woman saw that the tree was good for food…she took some and ate, and gave to her husband, and he ate. And the eyes of both were opened, and they saw that they were naked. (Gen. 3: 6-7)

There is none righteous – no, not one! No one understands…no one seeks for God! (Rom. 3: 10-11)

For all have sinned, and fall short of the glory of God and are justified freely by His grace which is ours in Christ Jesus! (see Rom. 3: 21-24)

Then I saw a new heaven and a new earth… (Rev. 21: 1)

Back to the Story Authors

Karpman Triange or Christian Allegory? — Kimia Wood

Image credit: destinypedia

I think I’ve figured out why I get all swoony over the Master Chief and Zavala (and Genos!). Because they are quintessential heroes – the definitive “good guys” – and in that way they mimic my own dear King Jesus.

So, I will proudly write stories about heroes rescuing…people who need rescuing. But I agree with the original poster that “character agency” is also very important.

After all, we got ourselves in this mess. No sneaky Devil forced us off the cliff of our own desires! We raced there all on our own, because we wanted what we couldn’t possibly have: to be God.

It also makes sense that Character Agency is important because God gave it to us! When a story denies characters agency, or denies them the reality of making bad choices or choices that matter, the story falls flat…because we instinctively know it doesn’t line up with our real experiences.

God doesn’t let us write the story, though. He is the Author of this interactive, choose-your-own-adventure we call “life”! We participate, but only within the bounds that He allows (Job 1:12, 2:6).

And this is where the sovereignty of God (fancy, church-word for “God’s the boss-man”) and free-will (not-so-fancy church-word for “we get a choice”) come together and hug and all the theologians go, “But I thought you two weren’t speaking to each other!”

Yes – God is totally in charge. AND – yes, each individual human being gets a choice in how their life will go.

How does that work? God hasn’t explained in detail…probably because our brains would explode if we tried to understand.

Just trust God that it works.

And keep trying to write stories and show how FULLY AWESOME He is…because that’s what it’s all about, m’kay?


Karpman Triangle or Christian Allegory? — Kimia WoodKimia Wood currently lives somewhere in the American midwest, bracing for the collapse of society by knitting, baking, writing, hobby-farming, and reading as much Twitter as possible before the web goes dark.

Subscribe to the mailing list for a FREE e-copy of her post-apocalyptic adventure Soldier, plus periodic updates on her latest reading and writing exploits!

“Save the Cat” by Blake Snyder

"Save the Cat" by Blake Snyder — Kimia Wood As Mr. Snyder says in his prologue, “Why do we need another book about writing?” Apparently even in 2005 when he first published Save the Cat, you couldn’t swing a cat without hitting an eager, helpful guru determined to instruct young writer hopefuls in his way to plot, write, and sell.

So what makes Save the Cat any different, and why has it taken the industry by storm to be required reading for newbies and professionals alike?

I decided it was time to buy it and find out. Continue reading

Interview with Allison Tebo

I’d like to welcome Allison Tebo to the blog with an interview. Her book The Reluctant Godfather caught my eye during one of the indie Christian author sales, so when I saw the chance to read a review copy and participate in a blog tour to celebrate its relaunch, I said, “Why not?”

Enjoy getting to know her and hearing some advice to developing marketers/authors 🙂


Interview with Allison Tebo — Kimia WoodTalk about your family and upbringing. My family is a huge influence in my own writing journey; has yours been supportive of you? Have any siblings to base your annoying characters on? ; )

I have two wonderful parents, a fantastic older brother, a lovely older sister, and a precious twin sister!  I was homeschooled and brought up in a rich environment of exploration and creativity that put God first with parenting that directed me on how to see everything through the eyes of faith.

Yes, my family is a HUGE influence on my writing journey and are incredibly supportive!  My siblings and I have a writers club and for the last ten years we have met nearly every Sunday to help each other brainstorm, to reach selections of our work, and to help each other along in the writing process.  My mom has faithfully provided one of the dearest thing an author could ask for—objective critiquing.  My dad is also in sales, and eagerly promotes my books and is always hunting for opportunities for me in my writing.  I am very, very blessed to have a family that is not only so supportive, but have always guided me with unbiased criticism to guide me towards striving for the best.

Same for me!

You say you’re a sales representative. How has this helped you as you build your author brand? From your sales experience, do you have any advice for developing authors?

Yes, I am!  And it most definitely has helped me in my writing journey.  One advantage I feel that I might have is that I’m not so self-conscious about marketing myself.  I see so many indie authors who seem almost apologetic about selling their books.  This can be a rather damaging approach—unprofessional as well as lacking confidence. By necessity, I have to be pretty fearless in selling myself or whatever I’m selling—people expect it, so it’s not something to apologize for.

Being a sales person has also given me a daily dose of rejection.  Writers talk a great deal about rejection, but it’s something I deal with all the time – I can be turned down as many as fifty times in one afternoon, sometimes rather nastily.  Being in sales has helped me to begin to learn not to take rejection personally and to persevere.

Good advice. It’s hard to develop that thick skin.

I’ve seen a lot of fairytale retellings in indie author circles lately. What attracted you to this genre, and what about it particularly interests or inspires you?

I feel that most fairy tale retellings often focus solely on romance – romance that can get downright steamy at points.  At other times, I’ve found many retellings can get disturbing and excessively dark.

What attracts me to fairy tales is a desire to put into book form what Walt Disney did with old fairy tales – extracting the good, adding a unique spin and creating a clean and fun retelling that engages the whole family.  The other thing that attracts me about fairy tales are the strong messages woven through them. It seems that many people can be distracted by the glitter of fairy tales, and miss the morals.  There are incredible themes of truth tucked into fairy tales.

What is your favorite author (and book) ever and WHY?

Oh my goodness me. Such an impossible question!  I really have to cheat here and list my top three authors, as well as my favorite books from each other.  The Chronicles of Narnia by C.S. Lewis.  The Dark House On the Moss, Reb and the Redcoats, and Enemy Brothers by Constance Savery and The Lantern Bearers andThe Silver Branch by Rosemary Sutcliff.  As to why I love them—each of these books contain all the necessities to entrance me.  Stupendously crafted plots, exquisitely drawn characters, lovable characters that take immense bites out of my heart—and a shiningly, glorious hopefulness.  Sometimes painful, sometimes happy—always beautiful in its constancy and radiating truth.

C.S. Lewis I’m familiar with. My current favorite book of all time is That Hideous Strength. I might have to check out those others!

Where do you see yourself in five years? Still writing books? Do you have any other accomplishments you’d like to achieve?

Lord willing, I’ll be writing till the day I die!  I’m not sure one lifetime is enough to unleash all the stories in my mind, clamoring to be let out.  My main ambition in life is to become a successful author.  Aside from that, my only goal is to follow God’s leading in my life, and be quick to follow any path He charts out for me.


Thank you for answering my questions, Allison! Wish you all the best with your writing and beyond!Interview with Allison Tebo — Kimia Wood

Allison Tebo is relaunching her book The Reluctant Godfather (Amazon link; author’s site store):

A humorous and magical re-telling of Cinderella from a unique perspective.

Burndee is a young and cantankerous fairy godfather who would rather bake cakes than help humans. A disgrace to the fairy order, Burndee has only two wards entrusted to his care…a cinder girl and a charming prince.

A royal ball presents Burndee with the brilliant solution of how to make his wards happy with the least amount of effort. He’ll arrange a meeting and hope the two fall in love.

The debut novella from Allison Tebo, ‘The Reluctant Godfather’ is a new addition to the charming fairy tale tradition of Cameron Dokey and K.M. Shea.

Come back on Sunday to see my review of the story. If you’ve been hoping for a Cinderella story with a fresh ending, this might be what you’re looking for!

There’s also a GIVEAWAY:

a Rafflecopter giveaway

You can connect with the author on any of these sites:

Website: http://allisonteboauthor.com/
Blog: http://allisonswell.website/
Goodreads: https://www.goodreads.com/author/show/16192992.Allison_Tebo
Facebook: https://www.facebook.com/allisonteboauthor/
Twitter: https://twitter.com/AllisonTebo

“The Collins Case” by Julie C. Gilbert

"The Collins Case" by Julie C. Gilbert — Kimia Wood — Christian Despite having a “Mystery/Thriller” cover and blurb, this book is actually a “Christian/Inspirational” story. If I had known better what to expect, and if the pacing had moved faster, I might have enjoyed this much more.

Slow Start

The story is ham-strung from the very beginning, where for the first chapter and a half, the only conflict is that Rachel Collins is unequally yoked – married to an unbeliever.

The scenes of the “happy little family” living their lives and unaware of the calamity awaiting them is a classic writer move to get readers to connect to the characters. Unfortunately, I had recently read the blurb and knew they got kidnapped – and I was aware of the author-ly tricks at work – and so was very un-invested.

If I was advising the author, I would suggest beginning with Mr. Collins coming home and discovering melted groceries on the counter, his wife’s car in the garage, her phone on the counter, and his family nowhere to be found. (This scene already exists, but is sapped of tension since we’ve already witnessed his family be snatched.) This kind of scenario is visceral enough to connect with readers without the lead-up…a lead-up that lost me before the plot even began. Continue reading

Apocalyptic Stories – How, What, and Who

Apocalyptic Stories – How, What, and Who — Kimia Wood

Published in connection with the Indie Author e-Con 2018. Find more here

When you enter “post-apocalyptic” into Amazon’s search bar, you get lots of things. 30,000 results, to be exact.

But hey, there’s always room for one more version of civilization’s death throes, right? What if you want to craft your own apocalypse tale? Where do you need to start?

When eating an elephant or an apocalypse, start with one bite at a time. Continue reading

“Kate’s Innocence” by Sarah Holman

"Kate's Innocence" by Sarah Holman — Kimia Wood — innocence Can Kate prove she didn’t bomb her college campus? Can FBI agent Patrick trust God to reveal the truth as he tries to clear Kate?

For this indie Christian book, I’m going to front-load all my complaints, and then focus on what I liked.

That way, it’s like struggling to remove the sticky wax-paper wrapper on a chocolate toffee, then getting to eat the toffee! (I’m sure lots of people compare my reviews to chocolate toffee…) Continue reading